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This rare magnificent image of Buddha Shakyamuni is represented in meditation position called Ch’ien Pai Yi Hua-shen (the Hundred Billion Human Manifestations) in Chinese, the position the Buddha assume while seeking enlightenment under the Bodhi tree. Thumbs touching at forming a triangle symbolizing the Three Jewels of Buddhism.
Although this rare Ming image is missing its arms, it is a powerful yet charming sculpture of the infant Buddha as humble and confident with a youthful torso.
Rare wood carved Ming Vairocana Buddha, the central figure of the Five Wisdom Buddhas. He sits in unction (uttarabodhi mudra) associated with Northern esoteric Buddhist Vajrayana/Tantric/ sects. This pose reflects the concept of consecration, symbolizes wisdom, perfection and connection to the divine.
Magnificent rare Ming Buddha covered with dark lacquer, indications of gold and red pigmentation. Seated in meditation on an elaborate lotus throne, this rare masterpiece would enhance any environment with its spiritual energy and beauty.
This rare Ming provincially carved infant Buddha holds a monk’s begging bowl as he points to the heavens and stands on a lion’s head, symbolizing the Shakya clan and the lion’s roar of Buddhism. Given its small size, it was probably on a home altar.
With a benevolent expression, this rare large Ming Buddha sits on lotus pedestal signifying his purity and enlightenment. Originally placed in a Mahayana Buddhism spiritual setting, this important and brilliantly carved image is calming, inspiring and imparts a feeling of serenity to his surroundings.
This rare Ming/Qing wood Buddha as an infant is probably more striking than the original piece. A piece for lovers of wood, its erosion shows the random miracle of chance. Highlighted on a frosted acrylic base.
This mid 20th century Buddha Shakyamuni in Earth Witnessing position is carved in rural Lao style. Covered with gilt, the small rustic and simply carved image follows Lao artistic canons for depicting a Buddha: a curved hairline and high arched eyebrows that meet at the bridge of the nose, distinct hair curls, long ears, and a flame-shaped radiance emerging from his ushnisha. Its very large base is as tall and wide as the image, reflecting Laotian beliefs that a high pedestal reflects a deep respect for the Buddha. A base has been added for display purposes. Authentic old Lao images, even small personal ones like this, are difficult to find.
Vintage Nepali brass Buddha in teaching mudra standing on pedestal with 2 Buddhist lions, wearing “wet style” close fitting monk’s robes covering idealized body under drapery. Removable full body aureole with foliate designs.
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