Showing 25–36 of 94 results
As a wish for a prosperity, health, and many sons, this small table probably was in a young couple’s bedroom. Guanyin sits on a hǒu holding lotuses in the right panel and the left has rats with melons as fertility symbols. Perfect for a personal home altar or wedding gift.
H: 31.5″ W: 16.25″ D: 10.5″ | CALL 213-568-3030 OR EMAIL [email protected] FOR SHIPPING.
Rare, antique Mazu portrayed as a sanctioned goddess revered in coastal China and Taiwan. Wears Empress headdress with a phoenix, Vibrant robes with shinning inset glass jewels to be seen at sea by sailors needing assistance. Authentic images are rare in the market
This elegant Jambupati Buddha is seated in lavish gilt court attire in Earth Witnessing mudra, one hand in his lap and one reaching over to touch the earth. Dazzling gilt covers his body, elaborate crown with butterfly flanges and his kingly garment that is “bejeweled” with multi- colored cut glass inset pieces. His multi-tiered throne emphasizes his royal status. He looks directly at onlookers with confidence and a slight smile to emphasize his spiritual and material power.
Each of this whimsical gold and red-burgundy lacquered pair of male fu lions sits erect on a high pedestal heads thrown back with flaring ears, bulging eyes, decorative stylized manes and a small bushy tail. Their spirituality is displayed by the pair silently emitting the blessed mantra “aum”: the open mouthed lion forming an “au,” and the other completing it with a closed mouth to form “mmm.” The workmanship on these pieces is masterful, although rustic and provincial, and they are rare with their Buddhist symbolism and because most pairs of fu lions pairs were lost during China’s modernization.
Whimsical carvings of fu lions were the most popular mythical animals in Chinese homes, especially during the Ming and Qing dynasties, as free standing statues, designs on furniture, architectural elements and functional pieces in private homes or gardens or on a home altar to bring fu and the blessings to the home. This incredibly cute…
Early Chinese Mahayana images portrayed Lohans as followers of the Buddha, living in the human world in human forms .Through their spirituality and asceticism they achieved enlightenment and were no longer subject to rebirths but choose to not enter nirvana and remain as guardians to preserve Buddhist teachings, protect the Buddhist faith and lead others…
Superb, colorful and rare Buddha in teaching vitarka-mudra appears to float above cloud like swirls. Fine features, graceful body and exquisitely rendered drapery make this a truly striking statue. Given its size and masterful carving, it should be revered commensurate with its spirituality and artistry.
In this Pure Land large provincial carving Guanyin is more human and humble than idealized. The center lobe of this splendid oversized crown with gold has a deeply carved rustic Amitabha Buddha on a lotus surrounded by a pointed aureole. She is less formal with bright colored peasant garments, a relaxed laitsana pose with both legs relaxed and bent, bare feet dangling above the pedestal and her less formal teaching hand position. Quite unusual, it is a charming, innocent portrayal of a spiritual subject.
Mazu, protector of sea, is portrayed as the imperially sanctioned “Empress of Heaven” on an elaborate, horseshoe shaped dragon throne, holding a hu tablet, with elegant dragon robes, official’s girdle, Empress headdress and small feet on gilt fu lion foot rest.
In China a set of earthenware Zodiac attendant figures was made as a 12 piece grouping, with each figure holding a small calendar animal with each year represented by a different animal – rat, ox, tiger, rabbit, dragon, snake, horse, goat, monkey, rooster, dog, and pig or boar – in a repeating 12-year cycle. Although…
This very rare and fine 16th century home shrine image displays the benign and compassionate countenance of Songzi Guanyin the “Bestower of Children.” With round face and joyful half-closed and eyes, she looks lovingly at the child whose arm is draped over hers.and leans slightly forward, wearing a 5- lobed crown centered with a camellia flower a Chinese symbol of young sons and daughters. The inscription on the back dates the piece to 1521-1567
This carved meditation Ming Shakyamuni Buddha radiates serenity with downcast eyes and slightly smiling mouth. Small Buddha carved images are rare as they were generally not used on home shrines, and many were lost during China’s modernization. As it is consecrated it may have been in a community shrine.
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