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Rare and beautiful provincial Songzi Guanyin is modest, compassionate and humble with lotus leaf crown, unadorned robe and pedestal with simple leaves. Her baby resembles the infant Buddha. Was probably on a home altar of wealthy couple desiring a (male) baby.
This antique stone Tudi Gong statue was finely crafted by a local provincial artisan and reflects many traditional characteristics of this beloved lower status deity: a benevolent face, voluminous rotund belly, slouched shoulders, and holding taels to bestow wealth and fortune and maybe assurances to rural common folk. In his past he rested happily on an outdoor shrine, and would be very happy to continue doing so in a home garden to bring prosperity and an aura of past times to a new family.
This hand carved antique stone flu lion is a fun loving benevolent creature as seen in his open mouth with sharp teeth in a fanciful grin with a curled tongue, mischievously twinkling eyes under bushy eyebrows and a compressed rotund body with a very small tail. This is not your refined portrait of an elegant protective beast, it’s just a friendly pet hanging out . He probably lived in the garden of a provincial fun-loving family and is looking for a similar environment where people like old wonderful pieces to remind them not to take themselves too seriously.
This large rare vibrant carving is the Taoist Deity of fertility Niangniang (“The Maiden Who Brings Children”) is often confused with Songzi Guanyin. Represented as an empress like figure, she glances serenely at 3 diminutive children, 2 males and a female extending their arms for protection. Stunning and peaceful, it is covered with gold highlights with intricate details.
18 original Lohans were the major disciples of Shakyamuni Buddha whom he, at his death bed, entrusted to protect and promulgate Buddhist teachings. Over centuries, their numbers increased to over 500 enlightened beings recognized for their courage and supernatural powers. In Mahayana Buddhism, Lohans represent the ideal toward which Buddhist devotees should strive as they…
Lao carved Buddha statues are renowned for their delicacy and refinement. This elegant antique Buddha is depicted in the “Calling for Rain” mudra found only in Laos with his half-closed gazing downward in meditation, elegant gestures, lyrical flaring robes and graceful curves of the body reflecting the Buddha’s gentleness. The curvature, proportions and oversized head indicate the perfection, wisdom and compassion of the “Enlightened One. He stands on a multi-tiered circular and waisted base. Carved Laotian images as old and elegant as this are rare.
This elegant red lacquer hsun-ok early 20th century has a simple striking silhouette with raised circular layers on a pedestal base and woven vertical bands topped by a tall round finial resembling a Buddhist stupa.
Barry Brinker necklace – Thai ceramic Vairocana Buddha pendant with gold leaf and glass beads, Sri Lankan cabochon emeralds and ancient Roman coins. 18″ rolo style 950 German sterling silver chain.
Magnificent example of fine provincial Buddhist statues. Made to be seen in the round, her garment has delicate incised leaves and leaf motifs on front, back, and sleeves. High pointed crown with the Five Tantric Dhyani Buddhas, rare in provincial Guanyins.
The beautiful contemporary bronze Buddha is rendered in Thai Lopburi style in Earth Witnessing (bhumisparsha mudra) wearing a simple two-part Theravada Buddhist monk’s robe that shows his religious devotion. He sits on a highly decorative pierced throne on a three footed curved base. The composition is a double triangle: the three-footed throne itself is a horizontal triangle as it recedes backward in space, and the Buddha and the throne form a vertical triangle. The heavy statue is filled with a cement binder, and it is in excellent condition.
Consecrated red lacquer and gilt home altar provincial Guanyin, elaborate 5-lobed crown centered with radiating bars symbolizing Amitabha Buddha and his aureole that represent the flames of Buddhism.
This provincial Guanyin made for a home altar sits in anjali mudra. Portrayed as humble, approachable, she wears a 5-lobed diadem, hair in a chignon with braids and modest robe seated on a waisted lotus throne with stacked lotuses.
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