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Rare, gilt covered Jambupati Buddha in Earth Witnessing position on high multi-tiered throne. Court attire, luxuriant jewelry and decorative flanges on faceted crown topped by long ushnisha. Strength and smile emphasize his spiritual and material power.
Lavish Jambupati Buddha in Earth Witnessing mudra, in lavish gilt court attire, elaborate crown with butterfly flanges and his kingly garment “bejeweled” with multi- colored cut glass insets.
Provincial Lohan meditating wearing monks robes associated with Lohans – hood, shoulder ring and cowl crossed at the neck but atypically decorated with raised curvilinear lacquer designs highlighted with gilt.
Large provincial Guanyin is natural and modest rather than idealized in relaxed lalitsana pose. Remarkable oversized crown centered with rustic Amitabha on a lotus with pointed aureole. This personalized depiction is a charming, innocent portrayal of a spiritual subject.
Seated imperiously on a horseshoe chair with carved title “Holy Mother in Heaven,” Mazu is depicted in the imperial style, with a regal flat topped headdress, elaborate robes with dragons, official’s girdle in red and gilt.
Mazu, protector of sea, is portrayed as the imperially sanctioned “Empress of Heaven” on an elaborate, horseshoe shaped dragon throne, holding a hu tablet, with elegant dragon robes, official’s girdle, Empress headdress and small feet on gilt fu lion foot rest.
Provincial Nanhai Guanyin palms at heart in anjali mudra, a mudra of offering rarely used for Nanhai Guanyin. On lotus throne at Tidal Cave on Putuo under a craggy rock outcrop with pierced openwork.
Rare provincial white hooded Nanhai Guanyin in Cave below openwork draped moss and barbed rocks holding precious scrolls, with vial and parrot. Open lotuses symbolize her purity and enlightenment, closed lotuses potential for enlightenment of others.
Elegant Guanyin in meditation, gilt covered with five-lobed crown. Sacred vial on her right and parrot on left. Guanyins statues with symbols in this condition are rare and impart a feeling of serenity to the environment around them.
Nanhai Guanyin in her Cave in lalitsana, below draped moss arch holding a scrolls, next to vial of humanity’s tears and parrot, her constant companion. Small Nanhai images with these symbols are very rare.
Regional Rattanakosin carving of a Thai celestial guardian or attendant originally placed on a home or small temple for protection and devotion. Stylized layered garment, intricate detailing and headdress signify his celestial and royal status.
Carved Mandalay style peacocks with outspread feathers like this were placed over entrances to protect religious and government buildings. The peacock was emblem of last Burmese Dynasty symbolizing the monarchy descending from the sun.
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