Showing 73–84 of 94 results
This rare Ming provincially carved infant Buddha holds a monk’s begging bowl as he points to the heavens and stands on a lion’s head, symbolizing the Shakya clan and the lion’s roar of Buddhism. Given its small size, it was probably on a home altar.
Rare provincial image of Guanyin tenderly holding a young child’s hand similar to Songzi “Child-Giving Guanyin”. Consecrated with vibrant gilt and red surface in front and back.
As a protector of the sea Guanyin sits above a fish – represented as an emerging head and tail which symbolizes her power to help sentient beings safely sail through the sea of suffering which divides the mortal world and the Western Paradise to which Pure Land Buddhism devotees are brought upon their death. In this rare 18th century carving, the lotus on the base represents purity and the stem symbolizes Buddhist teachings which give rise to purity of mind.
This extraordinary rare and delicately rendered rural carving is a female bodhisattva possibly Guanyin seated on a lotus throne atop an ox. Beautifully highlighted in vibrant gold and adorned with intricate designs on the lotus petals and ox’s saddle coverings, this statue shows how the concept of a bodhisattva was adapted to the deification of “draft animals” (beasts of burden) who were integral to rural daily and agricultural activities in Chinese Popular Religion, Buddhism and Taoism beliefs.
Rare provincial home altar consecrated gender neutral Guanyin is in meditation on lotus throne wearing five-lobed crown symbolically representing the 5 Dyhani Buddhas in the Vajrayana Tantric tradition.
This rare and beautiful cadence drum was used in a Chinese temple to help monks and chanters think about the meaning of the texts they recite. Carved fish scales and two fish heads embrace a pearl carved on the handle to symbolize unanimity and accord. The fish pair is similar to the popular pair of…
With a benevolent expression, this rare large Ming Buddha sits on lotus pedestal signifying his purity and enlightenment. Originally placed in a Mahayana Buddhism spiritual setting, this important and brilliantly carved image is calming, inspiring and imparts a feeling of serenity to his surroundings.
This rare Ming/Qing wood Buddha as an infant is probably more striking than the original piece. A piece for lovers of wood, its erosion shows the random miracle of chance. Highlighted on a frosted acrylic base.
This remarkable figurine is Guanyin on her mythical mount, the Hǒu, guardian master of the universe and model for righteousness and morality who symbolizes bringing forth peace and prosperity.The round orb in its mouth representing a pearl can be rubbed for good luck. It is one of our most unique and favorite Buddhist statues, mounted on a frosted Acrylic stand.
This Nanhai Guanyin (Guanyin of the South Sea) sits in her cave on Putuo island in the South China Sea with most of her traditional features. She is portrayed as White Hooded or Clad Guanyin with her hair in a bun covered with a short hood seated in royal ease (lalitsana) with her right hand…
This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar. Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.
One of the most popular Mahayana Pure Land Buddhism depictions of Guanyin, especially during the Ming and Qing dynasties, is Nanhai Guanyin shown here symbolically on a stylized rocky outcrop at her cave at Putuo in meditation (dhyana), legs in padmasana under her robes, flanked by twisted columns one topped by a vial placed on…
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