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Wearing a full mask of an ideal high-born Hindu king (dalem), dancers from Bali perform folk-art and ethnic-art dances without speech using only body language, gestures and movements to depict…
This mask is patih keras, a strong king’s prime minister in orange symbolizing a tough, intense and powerful person reinforced by his large bulging eyes, powerful stare, red lips and full black moustache. Personally collected in Bali in the 1970s, this beautifully carved mask is in excellent condition with a wash applied on the back to make it look older.
This fine, deeply carved and painted Balinese mask is the king’s strong prime minister (patih keras), a position of prestige usually filled by warriors of the second Hindu (ksatrya) caste. The large bulging eyes increase the power of his stare and the outsized thick bright red lips symbolize his intensity. This mask was personally collected in Bali in the 1970s and is in excellent condition with minor hair loss on the eyebrows.
This fine vintage historical ethnic Balinese mask is Kebo Taruna. the powerful Balinese minister (patih) feared by Gaja Mada the brilliant Javanese “Elephant General” who brought the Indonesian Hindu Majapahit Empire to its peak and conquered Bali in 1343. His peculiar half-smile, forceful eyes and angular nose are carved to complement his intense expression, make it look more forceful and add energy to the mask. These features describe the minister’s power and confidence. Finely carved and embellished with animal hide and hair for his mustache and eyebrows, this mask is in excellent condition.
Click here for the blog Indonesian Dance Masks (Topeng): Spiritually Connecting the Community
This traditional but unusually small mask (topeng) of Rangda was a rare toy or was used to teach children Balinese lore and religious and artistic expression. It has wonderfully carved upper fangs, bulging eyes and protruding teeth and, as a personification of evil Rangda, who leads an evil army that instills anxiety and fear.
This charming vintage figurine of a cow suckling its calf was mold-made in separate parts, hand-luted and painted, resulting in images made from the same mold unique and individualized. Pieces like this were created by provincial craftsman for use in home altars along with favored deities. Although having strong rural roots, terracottas have become an integral part of the life of Indians of all socio-economic levels and many of these images are displayed in most Indian households. As modern pieces are mass-produced, those produced in the first half of the 20th century are becoming viewed as collectibles.
This colorful terracotta image devotional image of Shiva and Parvati was used for daily puja in a Hindu home. Shiva is represented by a lingham, a symbolic phallus, while Parvati is portrayed as a female deity figure. The dark green tree behind them highlights both of them and a garland of colorful flowers draped over the dark Shiva lingham emphasizes the importance and power of Shiva. The orange and black snake at the apex of the garland is Vasuli, the charm Shiva usually wares around his neck who represents Shiva’s power and fearlessness, while Parvati reaches across to the lingham to designate Shiva as the central focus of the composition.
Made by a Balinese carver on Lombok, this mask of a Hindu king exhibits his positive qualities as a refined, cultured, idealized, high born, model leader and is painted white, the color of purity. Mask dances and dramas honor, please and provide offerings to the gods. Mounted on a Museum Quality Stand
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