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Elegant Guanyin in meditation, gilt covered with five-lobed crown. Sacred vial on her right and parrot on left. Guanyins statues with symbols in this condition are rare and impart a feeling of serenity to the environment around them.
Rare antique Chinese Noa opera mask is likely a female zhengshen – a benevolent gods with kind and honest nature and gentle disposition -symbolizing the power of good to defeat evil. Age and heavy use
This excellently carved ancestor civilian official with gilt highlights was commissioned to be place on a home altar for veneration and impress those who viewed it and to honor the venerated ancestor’s persistence, success, status and power.
Pair of oil lamps for good fortune with diamond shaped double lozenge meaning many treasures, and plum blossoms, symboling the Five Happinesses – wealth, health, longevity, peaceful death and love of virtue.
Regional Rattanakosin carving of a Thai celestial guardian or attendant originally placed on a home or small temple for protection and devotion. Stylized layered garment, intricate detailing and headdress signify his celestial and royal status.
Carved Mandalay style peacocks with outspread feathers like this were placed over entrances to protect religious and government buildings. The peacock was emblem of last Burmese Dynasty symbolizing the monarchy descending from the sun.
This antique Nuo Opera mask is Tudi Gong, benevolent Earth god with smiling animated face, long eyebrows, hemp beard and high decorative hat. With an honest gentle disposition, he symbolizing the power of good to defeat evil. Nuo popular in Ming/ Qing dynasties, there are few remaining troupes.
One of a pair of Tibetan antique folding traveling prayer/study table for monks or nomadic families to lay out sutras (scriptures), scrolls, books, other study materials. Decorated with painted florals and fruit offering bowl symbolizing flowering of enlightenment and opening of the heart.
By making the Queen Mother larger than her horse and adorning it with decorative accessories – wide blanket, prominent head gear, double rowed harness, decorative medallion – this provincial artist emphasizes her power as Tao goddess of life, fertility and granting immortality.
Dense hardwood Queen Mother carving with phoenix in crown, holding robe across body, calmly seated on backless throne, much original polychrome and lacquer finish remains. Sealed consecrated cavity.
White Clad Guanyin sits in royal ease her hands in karana mudra on her lap to expel evil, remove problems and rid sickness or other negativities. This powerful mudra is rarely used for Guanyin images. The cavity Consecrated for home altar use.
Extremely rare provincial carving with a Taoist official on top above the legendary “Spring Ox,” accompanied by the Taoist Earth God “Herd Boy” who each spring ritually “wakes up the earth” by symbolically beating the Spring Ox with sticks.
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