Showing 73–84 of 236 results
This Sawankhalok glazed stoneware lidded bowl with radiating glazed petals, olive-brown glazed lotus bud handle, intricate scroll of white glazed branches and florals was used to store spices, powders and cosmetics, betel nuts and medicine.
Masterfully carved ancestor mandarin official on horseshoe chair in the round with cabriole legs, considered a “marker of high status, finely dressed in long Mandarin coat and pointed rattan hat. Benevolent face was homage to a revered family member. It is one of our favorite ancestor figures.
This ancestor figure official sits on a horseshoe chair showing his status wearing official’s attire: 5-button Mandarin long coat with a round collar and woven hat. Has a personalized tranquil face with a hint of a smile.
The finely carved ancestor figure in traditional Qing dynasty high neck Mandarin official’s long jacket with front buttons and official rattan woven headwear. The chair’s back slat was omitted as back carved cavity for consecration in an eye-opening ceremony
This civil official is in his “best dressed” form. to immortalize his status and importance on earth. Seated figures in the “belt-holding” gesture were considered persons of great achievement, high rank, imperial authority, and esteemed status. This high-quality commissioned statue was embellished with now faded gold leaf. The back cavity has its original consecration slip which is very rare.
Idealized Mandarin civil or scholar official wearing official attire and black boots – symbol of superiority. The inscription reads “The Honorable/ Excellent Official Fan.”Original perfectly intact red paper fú – slip in consecration cavity.
Carved ancestor figure as an official sits on a backless chair with a decorative pedestal in official’s attire holding a long slender curved hu-tablet, all signs of his office and status. He is vibrantly painted in red, the color of fu, as a wish for prosperity and status.
Seated imperiously on a horseshoe chair with carved title “Holy Mother in Heaven,” Mazu is depicted in the imperial style, with a regal flat topped headdress, elaborate robes with dragons, official’s girdle in red and gilt.
Finely carved Nanhai Guanyin on base of three lotuses, elaborate scalloped crown centered by the Amitabha Buddha of Infinite light surrounding lines of his radiating aura.. This serene elegant carving perfect to enhance any meditative space.
Provincial Nanhai Guanyin palms at heart in anjali mudra, a mudra of offering rarely used for Nanhai Guanyin. On lotus throne at Tidal Cave on Putuo under a craggy rock outcrop with pierced openwork.
Rare provincial white hooded Nanhai Guanyin in Cave below openwork draped moss and barbed rocks holding precious scrolls, with vial and parrot. Open lotuses symbolize her purity and enlightenment, closed lotuses potential for enlightenment of others.
Elegant Guanyin in meditation, gilt covered with five-lobed crown. Sacred vial on her right and parrot on left. Guanyins statues with symbols in this condition are rare and impart a feeling of serenity to the environment around them.
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