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This standing Guanyin reflects the Mahayana Buddhism Pure Land tradition popular during the Ming and Qing dynasties which holds the belief that Guanyin guides devotees upon their death to Amitabha Buddha’s Western Paradise where they may be reborn until ready for enlightenment. This carving is a provincial folk art representation that was placed on home…
Burmese carvings are known for fine craftsmanship, masterful decoration, and functional items including carved heddle pulleys used in strip-weaving. Used in pairs at the top of the loom, heddle pulleys are functional and aesthetic and usually decorated with auspicious images symbolizing figures or animals protecting the weaver, assuring good quality weaving, and pleasing the gods…
After her death at age 28, Mazu was immortalized as a cult figure and worshipped as a one of the tutelary Taoist deities as “the Protector at Sea” among seafarers in coastal China and was worshipped especially by older women. In oral legends, she was the daughter of a Buddhist fisherman, revered for her filial…
Mazu has many names and titles. In China she is Mazu (Matsu) meaning ‘Ancestor Mother’ or ‘Eternal Mother’ and on southern China she is affectionately called ‘Ā-mā’ meaning ‘grandmother’ or ‘mother.’ In Taiwan she is ‘Holy Heavenly Mother’ and the ‘Empress of the Heavens’ and ‘Tianhou,’ Daughter of the Dragon. She is the most worshiped female Taoist…
While most families have had prints or paper-cuts of the Kitchen God (Zao Shen) with or without his wife above their stove, carved images were owned by wealthier families. The Kitchen God is syncretic as a Taoist, Popular Religion and Buddhist tutelary deity, protector of the home who was responsible for making sure there was…
While most families have had prints or paper-cuts of the Kitchen-God (Zao Shen) with or without his wife above their stove, carved images were owned by wealthier families. The Kitchen-God is syncretic as a Taoist, Popular Religion and Buddhist tutelary deity, beloved among house-gods as protector of the home. He observes the family’s behavior and…
Finely detailed and carved from dense wood, this Kitchen God and his Wife monitor the members of the home from their perch above the stove. On Chinese New Year Zao Shen reports to the Jade Emperor in Heaven and a positive report bringsblessings and good fortune, while and unfavorable one brings misfortune. Family members often smear honey on his mouth to sweeten the report. Near mirror images they wear layered gold officials’ robes with decorative sashes and symbolically hold a hu tablet. They are in excellent condition and add positive chi and enhance feng shui. Kitchen Gods especially pairs are now rare and very collectible and make unique wedding and house gifts.
During the Ming and Qing dynasties fu lion images were especially popular in smaller versions used in private homes on home altars, as free-standing decorative Buddhist statues, design elements on furniture and architecture and on utilitarian objects like candlestick holders and bed posts to bring blessings of fu and prosperity. In the Buddhist tradition, they…
Whimsical carvings of fu lions were the most popular mythical animals in Chinese homes, especially during the Ming and Qing dynasties, as free standing statues, designs on furniture, architectural elements and functional pieces in private homes or gardens or on a home altar to bring fu and the blessings to the home. This incredibly cute…
This elaborate 19th century elmwood vanity cabinet is an example of Chinese vernacular furniture catering to the newly prosperous Chinese merchant class whose colorful tastes countered those of conservative scholars and the literati imperial class. Covered with red lacquer, the color of blessings (fu), it has deeply carved and painted decorations highlighted with gold with…
The close association of the lotus and Guanyin (Sanskrit Padmapani meaning “born of the lotus,”) is depicted in this Guanyin image sitting on a flat, round open yellow lotus padmapitha pedestal held up by a stem flanked by red lotuses facing out in a folk art tradition. As one of the Great Chinese Goddesses (Irvin),…
Oxen/bullocks and their carts were the primary means in Burma/Myanmar for plowing, hauling or transportation. Inexpensive and adaptable to any terrain, they were used to tend fields and carry goods, agricultural products, lumber, and people. Two or four-wheeled carts were pulled by one or a pair of oxen that were hitched to the cart by…
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