Showing 169–180 of 187 results
All ethnic mask (topeng) dances in Bali are accompanied with music from a gamelan percussion orchestra as are dramas and other entertainments considered as offerings to honor, please and attract the favor of the gods and ancestral spirits. In the west dancers put on masks to pretend they are someone else. Balinese dancers become the…
Court ministers (patih) in Bali, Indonesia are danced in mask (topeng) performances named Topeng Panjegan where a single dancer interprets 5 legendary characters wearing full face masks, cannot speak and much portray them only through gestures and body language and positions. Patih manis (literally sweet, a good natured, diplomatic minister) is often the first solo…
Made by the Naga, a collection of tribal ethnic groups in India with a similar culture including a headhunting tradition in its past, conch shell ear covers are worn by men and attached to pierced ears through a hole in the shell. They are usually decorated stippled abstract images of curved buffalo horns with the buffalo’s neck and head inside the V-shaped horns. Mounted on a lucite base, they are an interesting example of unique cultural art,.
Traditional Burmese dance has its roots in folk religion and is a combination of ancient animism, nat worship and a later syncretic blend with Buddhism. Ethnic minorities often perform dances that include warriors , Zawgyi (shaman) and nats wielding swords or holding drums while dressed in full-body costumes. Burmese performances were regulated with limitations on…
Burmese women always have taken part in demanding strenuous work, but they rarely see themselves as farmers. This is because of Burma’s old patriarchal culture, narrow Burmese laws and social limitations of rural beliefs that define them as workers who labor for men: their father, brother or husband. This wonderful painted folk-art wood panel of…
Burmese women always did strenuous work, yet they rarely see themselves as farmers. This is due to Burma’s old patriarchal culture, Burmese laws and narrow rural beliefs defining them as workers laboring for men only: their father, brother or husband. This wonderful painted wood panel of a barefoot female farmer depicts her with the long…
This vintage Indonesian rice paddle/spoon was crafted from local wood by a Lombok craftsman and is a fine example of the cultural art of the Sasak people who number three million and comprise about 80% of its population. As animism farmers for two millennia, they lived in houses surrounding religious compounds where they held religious…
Made by the Naga, a collection of tribal ethnic groups in India with a similar culture including a headhunting tradition in its past, conch shell ear covers are worn by men and attached to pierced ears through a hole in the shell. They are often decorated stippled abstract images of standing human figures with raised arms and hands and spread fingers Mounted on a lucite base, they are an interesting example of unique cultural art,.
Made by the Naga, a collection of tribal ethnic groups in India with a similar culture including a headhunting tradition in its past, conch shell ear covers are worn by men and attached to pierced ears through a hole in the shell. They are often decorated stippled abstract images of standing human figures with raised arms and hands and spread fingers Mounted on a lucite base, they are an interesting example of unique cultural art,.
Given its size this smaller early 20th century Hsun-ok with simple sophisticated designs may have served as a decorative piece with parallel rows of intricate triangular and beaded borders.
Made from wool and natural dyes this small vibrant vintage carpet square can be used for meditation, an accent piece or hung on a wall. The center has 4 stylized bats, the ultimate symbol of good luck, blessings, happiness and riches.
Rare Timor ancestral mask, large roughly cut eyes, menacing teeth. Used in animist ritual offerings for the departed to have a resting place during village visits and also repel evil malevolent spirits.
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