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The top design on this stoneware garden stool is a simplified open narcissus with a white and yellow center; it is a symbol of good fortune and prosperity. Below are intertwined double lozenges, followed on the lowest register of by white octagonal shapes and ending with a low orange-yellow rectangle pierced in the center. A…
This vibrant glass painting of Krishna along with the Peacock (3983MCE) were inset in an antique Indian wood cabinet or chest. One of the most popular Hindu deities, he is beautifully depicted serenading his adoring gopis with his engaging flute.
This beautifully carved God of Wealth (Caishen) is portrayed as are all Taoist deities as an authoritative figure, right hand firmly placed on his knee and left hand holding a tael. His outer robe has decorative borders down the front and carved coins at the shoulders, stomach, and an undergarment is gathered with a floral designed tasseled cord. His well-defined face with incised wrinkles and long beard has a benevolent expression with rounded cheeks and an open mouth, topped by an elaborate official’s hat with ribbon-like extensions. Very fittingly, it is painted with red and gold both associated with wealth.
Statues like this vibrant Guanyin, especially popular during the Qing dynasty, epitomizes the best of folk art spiritual traditions of provincial artisans who replaced imperial constructs with provincial depictions that combined Buddhist, Taoist and Popular Religion traditions. Her high crown is centered with Amitabha Buddha surrounded by swirling florals, the indented urna (third eye) on her forehead would have held a cut glass. Humble, charming and approachable portrayals of Guanyin like this were placed in homes and small community temples.
This elegant antique heddle-pulley carved from a single piece of Burmese teak is topped by a hamsa, a goose-like bird and a sacred Buddhist symbol of wisdom. Auspicious symbolic animal images are believed protect the weaver, assure quality weaving, and pleases the gods and spirits. It is wonderfully weathered from time and use.
This very attractive antique green glazed teapot is typical of the stoneware pottery made in the Shiwan kilns in Guangdong during the 18-19th century. Finely designed, this hexagonal pot has a yoked rounded handle with spiral decorations that adds a delightful touch. The pieces are well known for their brilliant flambé—or flame-like quality – glazes such as apple green glaze of this pot.
This Hindu prayer bell was likely placed on a home or temple altar and used in daily puja rituals. It has a smooth and undecorated body with only incised parallel rings circling plain surfaces and is topped by a Garuda pair sheltered by Naga hoods. Garuda, Vishnu’s mythical winged bird mount, and Naga, a seven-headed hooded serpent, are natural enemies but when they are represented together, they symbolizes peace, a very appropriate adornment for the tranquility and serenity elicited by the pleasing sounds of a prayer bell.
Hindus use oil lamps (diya) like for ritual prayer rituals (puja) performed on home altars. Light and the act of lighting a lamp signify purity, virtuosity, goodness and brings one good luck and power. Peacocks are common motifs symbolize love, joy, peace and harmony.
This home devotional image, finely carved in the round, represents Mazu, the most revered Taoist female deity in coastal areas in mainland China, Taiwan and Vietnam. She sits in a traditional deity pose, hands covered by a ritual cloth with a space to hold a hu tablet on a plain armless high back chair. She is a provincial matronly figure, eyes calmly cast down and dressed in humble attire with characteristically small feet, a hanging red sash, and a modest hat with a flat phoenix.
As a wish for a prosperous and healthy family with many sons, this small table elegant probably was in a young couple’s bedroom to hold small personal statues and store precious items. Guanyin sits a hǒu holding lotuses in the right panel and the left has fertility symbols rats with melons. It is perfect for creating a personal home altar and a unique wedding gift.
Given the auspicious images on this finely crafted red and gilt jewelry box, it was probably a wedding gift for a fortunate couple as a wish for fertility, harmony and many and sons. The doors have a carved lotus symbolizing beauty and purity and the top has 5 bats surrounding a longevity roundel. When depicted on a box, it means as “May you have a harmonious marriage with the Five Blessings” (longevity, health, wealth, virtue and a peaceful death) and signifies completeness, togetherness and harmony.
This fine pair of the Kitchen God and his wife are mirror-images of each other seated on backless chairs with multi-sided pedestals and reflect the reverence and solemnity of their responsibility to live above the stove and protect the home. The original lacquer has darkened naturally over time and from exposure to candle and incense smoke leaving a soft patina. The cavity on the male has its original covering while the one on the female is missing, exposing contents inside – a string tied around the script placed by a monk when it was consecrated. Kitchen Gods radiate warmth, especially when placed near the stove and make unique house warming or wedding gifts and add positive chi to any household.
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