Showing 97–108 of 184 results
This fine antique Chinese wood carving was likely placed in a clan shrine or home altar with other religious images, ancestor figures or folk heroes reflecting the Chinese syncretic tradition that adhered to multiple spiritual and belief systems. Although it is difficult to identify specific figures, this image is likely a Taoist priest in officials…
This elegant antique heddle-pulley carved from a single piece of Burmese teak is topped by a hamsa, a goose-like bird and a sacred Buddhist symbol of wisdom. Auspicious symbolic animal images are believed protect the weaver, assure quality weaving, and pleases the gods and spirits. It is wonderfully weathered from time and use with minor losses with a fine patina. Mounted on a black wood base, this heddle pulley pairs well with item number 11298A.
Antique horseshoe shaped Tuareg “King” manilla, magnificent metalwork, 10 faceted flat finial ends with traditional etched and hammered geometric designs, excellent condition, fine patina.
Large C-shaped Tuareg manilla made from sand moulds, has massive finials with 12 facets with detailed hand-etched and hammered designs including raised circles.
Tuareg horseshoe-shaped manilla with bold hammered and incised decorative motifs unique to individual Tuareg tribes Divided in sections, with etched designs, circular cutouts, ending knot finials. .
Tuareg horseshoe shape manilla with bulbous rounded faceted ends, hand hammered fine details.
Finely fashioned Tuareg slim circular-shaped manilla bracelet/anklet, hand incised striated decorations, and faceted rounded beads at the open hoof-shaped terminals ends.
White Hooded provincial Guanyin in lalitsana depicted as humble with a plain hood, gentle smile, holding a scroll symbolizing the Buddhist sutras in which she is mentioned including the Lotus Sutra Chapter 25.
This 19th-century miniature wood figure is a finely and whimsically carved portly seated merchant. He is depicted as a Laowai or “old foreigner” with a westernized face and hat and oversized hands placed on his knees. Seated on a platform base, he wears garments reflective of the Chinese culture at this time but wears a hat that is clearly not of Chinese origin. Other indications this charming figure is a foreigner include the roundness of his face, western facial features and oversized hands.
The Kitchen God (Zao Shen) was and still is among the most important Chinese house gods. Traditionally every family had its own Kitchen God with or without his wife above the stove to reflect his and its central position in the family’s life. The Kitchen God is both a syncretic and a tutelary deity embraced…
Zhenwu (Perfected Warrior) is one of the most important and powerful Taoist deities, god of one of the 4 cardinal directions (the north) revered for his potent magical powers to suppress demonic forces. This provincial image for personal devotion and reflects his classic iconography: seated on a throne, bare feet resting on a snake and a tortoise, a celestial scarf and maille armor. Intricately carved he has a powerful presence.
Zhenwu (aka Xuanwu, Wuandi and Zhenwudadi) is one of the most revered Chinese Taoist figures, venerated for his ability to heal as well as to protect his country and the emperor. There are various depictions of his attire, but here he wears a plain black robe with an official’s belt which he holds in his…
End of content
End of content