Showing 1–12 of 34 results
Puppet theater has always vividly reflected Chinese society and culture and educated both the literate and illiterate public using with beautifully carved and attired puppets, music, drama,, eloquent language, costumes, and adornment. It also assumed a major role by performing religious rituals and honoring major historical characters and events. Using rods, strings, gloves and a…
The origins of Nuo Opera, performed in provincial villages in Southern China since antiquity, is found in spirit and ancestor worship and Taoism. Performances use a few dozen to 200 masks having distinctive facial features, decorations, regional and ethnic individuality and aesthetic diversity. Usually carved from poplar or willow which are light and less likely…
Nuo Chinese-Opera performances are religious dramas and operas as well as secular entertainment based on historic events, folktales, or literature that are still popular among ethnic groups along the Yangtze River. The two types of performances include the grand Nuo ceremony held by the royal court during national holidays, and local performances exemplified by this…
Chinese puppets historically played a large role in entertaining the general public and in educating rural illiterate populations especially about the role and importance of deities such as the Queen-Mother of the West Xiwangmu. This puppet’s headdress blends influences associated with the long history of the Queen Mother who evolved as a significant goddess from…
Puppet theatre has traditionally assumed a major role in Chinese religious rituals and honoring major life and historical events. Local productions with beautifully carved puppets, music, drama and costumes instilled societal and cultural values as well as providing entertainment to audiences of all ages and educating provincial ones. This head has a typical tapering shaft…
In India, as other Asian countries, Hindu children were given votive objects and carvings as dolls representing murti (deities), legendary heroes, and myths to entertain, educate, and reinforce pride in their heritage and religion. This Indian folk-art carving is a Devi, the Sanskrit word for goddess meaning heavenly, divine, and a thing of excellence. Carved…
This exceptional polychrome mask (topeng in Java, tapel in Bali) of Jatayu blends Balinese ethnic and folk-art with Hindu cultural traditions. Indonesia was part of the larger Hindu Majapahit Empire (1293-1527), is now a Muslim majority but Bali remains mostly Hindu. Balinese masks are often made from a single piece of local pulai wood whose…
Balinese masks (tapel in Balinese, topeng in Java), are said to have existed since the 10th century and often are danced in sacred Hindu stories with important moral, ethical, historical and philosophical ideas, This is especially true as many come from ancient Hindu texts like ancient epics the Ramayana, the Mahabharata and the Babad Dalem, the…
In Bali, Indonesia, Hindu villages have a sacred collection of woodcarvings in the form of Balinese masks (topeng) danced as offerings to the gods with a gamelan percussion orchestra. Balinese dance masks are endowed with magic (tenget) ), especially. the 2 central to Balinese mythology, culture and their past of animism:Â Rangda and Barong. Barong…
Balinese carvings and masks are ethnic folk art and a blend of Hinduism and its initial animism. Most masks made in Bali are from pulai wood that rarely cracks and is easier to carve. As it is not native to Lombok, carvers there use a variety of woods some of which were dense with others light….
Most jauk keras (strong, scary) masks of a giant are often red or orange to reinforce a volatile dance with jerky movements. This jauk manis (good, sweet) mask dance is a more controlled, regulated and enacted with more calm and human movements. Personally collected in Bali in the 1970s, it is in excellent condition with expected minor scratches and paint losses.
Influenced by Islam for centuries, Javanese theater in Indonesia is stylized, didactic and full of central characters said to be cultural and historic icons of morality. Mask drama theater (Topeng Wayang) in Java is dominated by the conservative central Javanese palace courts (kraton) of Surakarta, Solo and Jogjakarta (Yogyakarta) which have long supported mask makers,…
End of content
End of content