Buddhist art includes statues, paintings and ritual items associated with Buddhism. Buddhists have used painted and carved images of enlightened beings including Buddhas, Guanyin, Bodhisattvas, Lohans, monks and other deities, attendants and acolytes for nearly two millennia to show devotees how Truth can be found within oneself through meditation and spiritual training. Statues of the Buddha and other enlightened beings are placed in temples, monasteries or home shrines as a reminder of the spiritual potential inherent within all of us to awaken to the Truth as the Buddha, a fellow human being, did. When one pays reverence to Buddhist images, they are not worshipping the image, rather the image reminds them of the great compassion of the Enlightened Ones who have taught them the way to liberation.
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Rare and charming carved attendant pair to flank deities on circular pedestals presenting boxed offerings with ribbons as wish for longevity.
Rare provincial carving of Guanyin in lalitsana clasping a rosary on a mythical Hǒu that symbolizes righteousness, morality and ushers in peace and prosperity. Small yet powerful, consecrated and mounted on Acrylic base.
Tibetan repoussé of Shakyamuni Buddha in Earth Witnessing mudra within a trefoil arch on a lotus base.
This stone flu lion is not an elegant protective beast, it’s just a friendly pet hanging out. He probably lived in a garden and is looking for another one with people like old wonderful pieces to remind them not to take themselves too seriously.
Lao carved Buddha statues are renowned for their delicacy and refinement. This elegant antique Buddha is depicted in the “Calling for Rain” mudra found only in Laos with his half-closed gazing downward in meditation, elegant gestures, lyrical flaring robes and graceful curves of the body reflecting the Buddha’s gentleness. The curvature, proportions and oversized head indicate the perfection, wisdom and compassion of the “Enlightened One. He stands on a multi-tiered circular and waisted base. Carved Laotian images as old and elegant as this are rare.
This elegant early 20th century red lacquer hsun-ok has a simple striking silhouette with raised circular layers on a pedestal base and woven vertical bands topped by a tall round finial resembling a Buddhist stupa.
Magnificent example of fine provincial Buddhist statues. Made to be seen in the round, her garment has delicate incised leaves and leaf motifs on front, back, and sleeves. High pointed crown with the Five Tantric Dhyani Buddhas, rare in provincial Guanyins.
Rare provincial image of Guanyin tenderly holding a young child’s hand similar to Songzi “Child-Giving Guanyin”. Consecrated with vibrant gilt and red surface in front and back.
Rare provincial consecrated carving of Nanhai Guanyin on a lotus, representing purity of the mind, above a fish symbolizing her power to help beings sail through sea of suffering separating mortal world from the Western Paradise. Consecrated by a monk for placement on a home altar. Mounted on a lucite stand.
This remarkable figurine is Guanyin on her mythical mount, the Hǒu, guardian master of the universe and model for righteousness and morality who symbolizes bringing forth peace and prosperity.The round orb in its mouth representing a pearl can be rubbed for good luck. It is one of our most unique and favorite Buddhist statues, mounted on a frosted Acrylic stand.
This Nanhai Guanyin (Guanyin of the South Sea) sits in her cave on Putuo island in the South China Sea with most of her traditional features. She is portrayed as White Hooded or Clad Guanyin with her hair in a bun covered with a short hood seated in royal ease (lalitsana) with her right hand…
This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar. Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.
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