Buddhists have used images of enlightened beings including Buddhas, Guanyin, Bodhisattvas, Lohans, and monks for nearly two millennia to show devotees how Truth can be found within oneself through meditation and spiritual training. Statues of the Buddha and other enlightened beings are placed in temples, monasteries or home shrines as a reminder of the spiritual potential inherent within all of us to awaken to the Truth as the Buddha, a fellow human being, did. When one pays reverence to Buddhist images, they are not worshipping the image, rather the image reminds them of the great compassion of the Enlightened Ones who have taught them the way to liberation.
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Rare provincial carving of Guanyin on an ox reflecting the concept of bodhisattva reverence for “draft animals” (beasts of burden) who were integral to rural daily and agricultural activities in Chinese Popular Religion, Buddhism and Taoism.
Sensitive modeling of the face, body and lotus base, its appealing features and graceful garments, make this diminutive statue truly endearing. The rear inscription indicates it was commissioned to celebrate the wedding of a daughter and, as such would make a superb wedding gift.
Finely carved from dense wood Mazu is the Heavenly Empress on a horseshoe chair, holding official’s girdle, phoenix hat with outstretched wings and cloud collar symbolizing her place in heaven.
Guanyin sits on an elaborate lotus throne held by 8 long stemmed and 1 flat leaf lotus as an enlightened being. 5-lobed crown reflects her stature as Buddhist royalty. Consecrated by a Buddhist monk and was placed on a home altar.
Guanyin’s elegance, compassion and serenity are emphasized in this provincial carving on 3 tiered high lotus throne on a hexagonal base with carved patterns. Portrayed in meditation with flowing robes this consecrated image was designed for personal veneration in a home setting.
Rare provincial carving of Guanyin in lalitsana clasping a rosary on a mythical Hǒu that symbolizes righteousness, morality and ushers in peace and prosperity. Small yet powerful, consecrated and mounted on Acrylic base.
In the Pure Land Buddhist tradition this vibrant provincial Guanyin wears a high crown centered with Amitabha Buddha. Far from imperial influences, this charming carving is a unique eclectic folk art blend of Buddhism, Taoism and Popular Religion traditions.
Rare Nanhai Guanyin with lobed crown of 5 “Dhyani” Tantric Buddhas of Wisdom seated on rocky outcrop before her cave on Putuo, showing Vajrayana influence rarely seen for Nanhai Guanyin images Gilt surface reflects personal devotion and personal wealth. It has been consecrated by a Buddhist monk indicated by the back cavity.
Delicately carved antique Guanyin in meditation, tall 3-lobed crown with flaring triangles and crosshatches. high forehead and oversized head focuses viewer on beautifully formed, quiet and calm face as model of inner serenity
White Hooded provincial Guanyin in lalitsana depicted as humble with a plain hood, gentle smile, holding a scroll symbolizing the Buddhist sutras in which she is mentioned including the Lotus Sutra Chapter 25. THe back cavity indicates it was consecrated by a Buddhist monk for placement on a home altar .
Finely carved Nanhai Guanyin on base of three lotuses, elaborate scalloped crown centered by the Amitabha Buddha of Infinite light surrounding lines of his radiating aura.. This serene elegant carving perfect to enhance any meditative space.
Provincial Nanhai Guanyin palms at heart in anjali mudra, a mudra of offering rarely used for Nanhai Guanyin. On lotus throne at Tidal Cave on Putuo under a craggy rock outcrop with pierced openwork.
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