Also known as Non-Western Art, the terms Ethnographic or Ethnic Art, Indiginous Art and Tribal Art are interchangeable and refer to art or artifacts created by indigenous people which includes North American Indians, pre-Columbian peoples of Mexico and Central and South America, and cultures or tribal peoples of Africa, Oceania and parts of Mecico and East, South and Southeast Asia. Art forms are generally masks, carved sculptures, paintings, textiles and jewelry which often are spiritual or religious representations.
Showing 1–12 of 45 results
This small vibrant carpet square with fringed edges can be used for meditation to sit on, an accent piece or hung on a wall. Made from wool and natural dyes, it has a cotton foundation and double weft with a medium wool pile and fine geometric designs. Meander designs and geometric motifs surround the center…
As part of Burmese animistic and shamanistic beliefs hand built oxcarts were decorated with figurehead prows of mythical beings to guide the owner. Using their spiritual and magical powers they bestow good fortune and ward off malevolent spirits. The legendary figure here is probably a nat – a deified spirits of the deceased believed to have magical and protective powers seen on non religious items and in Buddhist temples, pagodas, home shrines, other spiritual structures throughout Burma.
Prehistoric Thai Bronze Age jewelry, adzes and tools have been found all over Thailand. Excavations from various soil levels show many sites had been inhabited for millennia. They confirm the existence of an early, well-developed metallurgical tradition of bronze digging and cutting tools, adzes (ancient axe like tools to cut wood), adult and child’s bronze…
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metalsmiths from Eastern India using the same lost wax casting process for millennia. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece is a typical grain measure and has a handle for hanging and decorated with horizontal striations across the top and bordered by downward striated triangles with a smooth patina from age and use. This bowl were regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
Click here for the Blog Dhokra Metal Smiths: Retaining Primitive Techniques with Unfailing Success
Click here for the Blog Hindu Home and Temple Shrines and Religious Practices
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
Finely carved figures were attached to ox cart yokes to protect farmers from malevolent spirits who inhabited all seen/unseen sectors of their world. . This beautifully carved ox cart yolk image is a chinthe, a mythical Burmese lion/dragon creature commonly decorating many everyday items. A propitious spiritual and protective guardian, the animalsymbolizes power, courage, and strength. This carving displays the common traits of a lions with a long face, large eyes, a long sharp nose, a lion-like beard, and a flame-like shape on the top of his head. Masterfully carved with careful attention to details, see the deeply incised hairs that cover his body. The 2-part piece is held together with a wooden plug. Though for daily use, Burmese craftsmen created beautiful objects and finished them with the best materials they could afford.
The origins of Nuo Opera, performed in provincial villages in Southern China since antiquity, is found in spirit and ancestor worship and Taoism. Performances use a few dozen to 200 masks having distinctive facial features, decorations, regional and ethnic individuality and aesthetic diversity. Usually carved from poplar or willow which are light and less likely…
This wonderful Coptic Cross is in the form of a fleury or floriated trefoil cross with the end of each arm splayed into three pointed lobes representing the Trinity. The body is embellished with parallel rows of small granulates which results in a vibrant textured surface. The chain is not included.
This antique Ethiopian Cross combines several cultural traditions: an Egyptian round ankh surmounted on cross pattée with flaring arms that narrow towards the center. This striking pendant is heavy and large with a massive presence softened by its smooth surface and simple elegance. Prior to the 20th-century, pendant crosses were often made in small villages by skilled local metal smiths that were simpler, yet strikingly beautiful and powerful. The coin silver chain is not included.
End of content
End of content