Also known as Non-Western Art, the terms Ethnographic or Ethnic Art, Indiginous Art and Tribal Art are interchangeable and refer to art or artifacts created by indigenous people which includes North American Indians, pre-Columbian peoples of Mexico and Central and South America, and cultures or tribal peoples of Africa, Oceania and parts of Mecico and East, South and Southeast Asia. Art forms are generally masks, carved sculptures, paintings, textiles and jewelry which often are spiritual or religious representations.
Showing 1–12 of 30 results
This rare 13-14th century Sukhothai ring-shaped bronze bangle has a unique design. While many Sukhothai were undecorated, this one is has three raised knobs dividing it into thirds, articulated ends and, rather than being a complete circle, it has a small opening.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece is a typical grain measure and has a handle for hanging and decorated with horizontal striations across the top and bordered by downward striated triangles with a smooth patina from age and use. These bowl were regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
Click here for the Blog Dhokra Metal Smiths: Retaining Primitive Techniques with Unfailing Success
Click here for the Blog Hindu Home and Temple Shrines and Religious Practices
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
Click here for the Blog Hindu Home and Temple Shrines and Religious Practices
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
H: 9.25” W: 5.75” D: 2.25” | FREE SHIPPING!
This antique-Chinese-wood-carving is a hand-carved Nuo Opera mask from Southern China of a smiling woman with a slender face, delicate features and hair in a topknot. She is a zhengshen, a friendly female deity (shen) with a kind, honest nature and a gentle disposition and a symbol of the power of good capable of defeating evil. Most Nuo masks are brightly painted, but the age and heavy use of this one has resulted in paint losses. Different colored bases under the reddish-brown indicate it was repainted and reused a number of times. The bright red lips have faded and areas around the eyes, mouth, nose and hair reveal what may be an original first layer of white gesso. Mask enthusiasts will appreciate the resulting paint and lacquer layers which tell the story of this mask’s colorful history, and, yes, the pun is intended. In very good condition for its age and use and for its journey surviving China’s modernization, masks like these were initially considered ethnic folk-art offerings to the gods and part of the VA Deities-and-Legends collection.
Finely carved figures were attached to ox cart yokes to protect farmers from malevolent spirits who inhabited all seen and unseen sectors of their environment. This beautifully carved ox cart yolk was created in the image of a chinthe, (the word for lion) a mythical creature commonly represented in Burma to decorate a multiplicity of everyday items. Considered a propitious spiritual and protective guardian figure, the chinthe symbolizes power, courage, and strength. This carving displays the common characteristics of singhas with a long face with large eyes, a long sharp nose, a long draping lion-like beard, and a flame-like shape on the top of his head. He stands on all four legs holding his beard that extends from his open roaring mouth with sharply pointed teeth that combine elegance with strong beast-like strength. He is masterfully carved with careful attention to details like the deeply incised hairs that cover his body. For functional reasons, the piece is in two parts held together with a wooden plug. Even though it was for daily use, Burmese craftsmen created beautiful objects and finished them with the best materials they could afford. This piece was originally covered with lacquer, most of which has faded with use over time. It is in good condition with losses to his left side, fading surface, and wear consistent with its age and use.
Jetayu is the mythical demi-god divine bird in the Hindu epic the Ramayana. It is a very rare Balinese mask with a fine patina from decades of dance performances. The crowned forehead and snout, huge round eyes, wide-open mouth, curled leather tongue, expressive jaw muscles with upper and lower sets of piercing sharp teeth in graduated sizes reflect the pinnacle of skilled woodcarving and polychrome painting.
The third eye on this topeng bondres is ironic, as it depicts a very odd clown-like, personality. Very well-carved, he has uneven bloodshot eyes, an almost hairless head, angular bony eye-sockets and a recessed face with black age lines on each side of a puny nose. The protruding red lips, open mouth with two teeth and mustache are not balanced and describe a weirdo demanding our attention. He is a strange and wacky Balinese jokester who evokes laughter and is exactly what the Balinese love: a abnormal slapstick clown with physical oddities. Personally collected in Bali in the 1970s, this piece is in excellent condition for its age and use with expected minor paint losses and scrapes.
Central to Balinese culture and lore, Rangda is the demon-queen ruling an army of witches practicing black magic. Frightening, she has two upper fangs and two lower fangs now lost, scary teeth, jagged elements around her head, bulging eyes and is red symbolizing someone angry and threatening. In very good condition considering its age and use, it has expected paint losses, scratches and a fine patina. Personally collected in the 1970s, she is mounted on a museum-quality metal stand.
This finely carved vintage jauk mask is the manis (sweet, softer) version of a jauk mask. It and the dance present the gentle traits of a giant having more normal human-like features and a smile, and its white color is usually symbolic of purity. Those colored red or orange represent one easy to anger. Collected in the 1970s in Lombok, this mask is rare as then Lombok the Balinese community usually did not sell their masks. It has a fine aged patina with expected hairline cracks and frayed eyebrows consistent with its age and use.
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