Metalwork has been used to create Asian statues and decorative pieces for millennia. The earliest metalwork items were ritual vessels for worshipping or presenting offerings to ancestors and the gods, objects celebrating important events in the lives of rulers and ancestors, or images of gods and deities worshipped by devotees. Our collection has fine metalwork items made either using the lost wax casting method or by casting pieces using a mold. The lost wax produces a one-of-a-kind work of art because the mold is damaged, altered or destroyed during or after its use as exemplified by utilitarian and religious item made by Indian Dhorka metalsmiths. Molded pieces can produce multiple versions most often using bronze, brass, iron and metal alloys with smaller works made using gold and silver Originally only for the rich and imperially sanctioned, especially in China, metals were later used to make utilitarian vessels and utensils, ceremonial, ritualistic. decorative and religious objects, architectural ornamentation, personal ornament, weapons, armor and bells. Metal craft techniques include repousse, hammering, embossing, cloisonné, enameling among others. Thai, Burmese and Nepalese items in our site including Buddha images, are generally mold made using bronze, brass, and other copper alloys.
Showing 25–36 of 61 results
The Fulani people favored many kinds of body ornaments, among the most traditional being bracelets and anklets in a horseshoe shape with flared decorative ends. This finely-crafted, heavy and massive antique U-shaped example was elaborately designed with intertwined twisted strands and 11 faceted ends incised with circle and diamond designs.
This antique thick, rounded and smooth surfaced Fulani manilla is etched with intricate decorative and geometric designs at the ends and at its apex. It is in very good condition with minor scratches, cracks and bruising on the inside consistent with its extensive age and use. It comes with a wood and metal stand.
Click here for Blog Manillas: Former African Trade Currency.
This Hindu prayer bell was likely placed on a home or temple altar and in daily puja rituals. This simple yet elegant bell has a smooth and undecorated body with only incised parallel rings circling plain surfaces and is topped by a pair of Garudas sheltered by a hood of Nagas. Garuda, the mythical winged bird that is Vishnu’s mount, and Naga, a seven-headed hooded serpent, are natural enemies and when they are represented together, they symbolizes peace, a very appropriate adornment for the tranquility and serenity elicited by the pleasing sounds of a prayer bell.
Martin Lerner an Steven Kossak, The Lotus Transcendent: Indian and Southeast Asian Art from the Samuel Eilenberg Collection, Harry Abrams, New York, 1991.
This graceful brass oil lamp is topped by two peacocks, a large one that held oil and a smaller one decorated with striated lines. sitting high on a thin mount with a spiral base. It was used for Hindu prayer rituals (puja) in the home or at temples and for devotional worship. This fine lost wax lamp with a soft patina is a one-of-a-kind piece. Often used in Hindu religious sculptures, peacocks have a strong religious tradition and represent harmony, joy and beauty and the time cycle.
This graceful South Indian cast brass oil lamp with attached spoon was used for Hindu prayer rituals. It has an oil reservoir in the center, a shallow yoni shaped burner at the front, a finial at the end and it is mounted on a flared circular foot. The top surface is decorated with incised floral motifs.
This antique manilla is made by the Kota in the northeastern region of Gabon and Congo. A thin widecircular bracelet with an elaborate five-section design, each section has unique designs with long striations, grooved crosshatches, long triangles and angled designs. In very good condition with minor losses, pitting and scratches, its rough surface inside is consistent with its age and use and comes with a wood and metal stand.
This finely designed bronze kumkum container was used in Hindu worship (puja). It is a well-shaped ornamented cup divided artistically into three sections: a top flat lip surrounded by decorative bosses and parallel lines, and band of stylized leaves, and set on a tubular trunk on a decorative base. Also known as chopra containers, they were made from a variety of materials, although bronze was rather rare and used by wealthy Hindu women and royalty to store tikka kumkuma powder, as the poor could only afford those made from wood or pottery.
This brass oil lamp diya is decorated with an image on front and back of Lakshmi seated on a lotus, full-breasted and broad hipped, beneficently smiling and being lustrated (showered by water) by a pair of elephants, symbolizing rain clouds bringing water and life to the land and that unwavering effort to adhere to spiritual teachings and governed by wisdom and purity leads to both material and spiritual prosperity.
This elegant pair of ancient 12-13th century Khmer Empire cast bronze palanquin rings are decorated with ornate vegetal designs, possibly stylized lotus leaves, and highlight the fine technical abilities and artistry of the ancient Cambodian Khmer Empire’s meticulously detailed metal art. Mounted on unique stands for display in any setting.
This wonderful gilt metal antique Tibetan repoussé image portrays Buddha in earth witnessing mudra (hand touching position) under a trefoil arch at the moment of his enlightenment. Mounted on an L-shaped wood stand, it is in excellent condition. This 17th century Tibetan work was decommissioned and subsequently purchased from the Los Angeles County Museum of Art.
This repoussé votive plaque portrays the Hindu deity Vishnu, the Protector of the Universe with a double aureole holding the conch shell he uses to make the om (aum) sound that embodies divine energy and is considered to be the sound of the universe which encompasses all sounds within it. He wears a crown representing his supreme power and earrings signifying the dual nature of creation. The lotus next to him and the lotus leaves of his throne symbolize purity, truth, and the unfolding of creation.
This very elaborate and exquisite C-shaped Senufo heavy manilla is ornately embellished and divided into sections, each decorated with deeply carved panels and framed with pairs of raised ball-like metal pieces. This remarkable and elegant manilla has a fine patina that shows its age, long use, and wear. It comes with a wood and metal stand.
End of content
End of content
