Showing 121–132 of 132 results
Artfully shaped lacquered Hsun Ok for offerings to monks lid with a finial symbolizing a Buddhist stupa and applied mythical animals and floral decorations. Early 20th century pieces with these special details are harder to find and copies abound.
Vintage Nepali brass Buddha in teaching mudra standing on pedestal with 2 Buddhist lions, wearing “wet style” close fitting monk’s robes covering idealized body under drapery. Removable full body aureole with foliate designs.
Vintage Thai cast bronze White Clad Guanyin in meditation on multi-tiered throne holding vial of precious dew with image of Buddha Amitabha under hood. Vision of compassionate serenity, half closed eyes and benevolent smile.
Dayu mask of Balinese high-caste female Hindu Brahman, beautiful decorative piece on a museum quality metal stand.
The culture, rituals, tribal and ethnic art of the Dayak (Dyak) of Kalimantan (Borneo), Indonesia is a mix of shamanism, animism and ancestor worship. Dyak festival masks worn on the face or large ones attached to a costume repel malicious spirits from entering communal spaces, insure village safety, protect babies in their carriers and defend…
Vintage animistic Dayak ancestor mask for agricultural festivals, separate wing-like decoratively painted ears, long nose, gnarled teeth, featured in Green Goblin’s collection in 2002 Spiderman movie.
The religion of the ethnic Dayak (Dyak) people of Kalimantan (Borneo), Indonesia is a mix of animism, shamanism and ancestor worship. Their word hudoq describes three different things: it describes the pests that can destroy the rice harvest on which their survival depends; the name of the huge yearly Dyak planting celebration and the name…
Given its size this smaller early 20th century Hsun-ok with simple sophisticated designs may have served as a decorative piece with parallel rows of intricate triangular and beaded borders.
Vintage mask of a king made by Balinese carver on island of Lombok blending Hinduism and animism. Mounted on museum quality stand.
Vintage “crowns” called an ile ori the “house of the head,” were cowrie shell shrine made to show gratitude for and recognition of the power of the head and manifest Yoruba ideas of individuality and authority. Not meant to be worn they are often placed on altars for prayer and divination and can be a symbol of a Yoruba deity. This headdress with an impressive design was included in the San Francisco International Airport, “Crowning Achievements” exhibition in April-August, 1994. It comes with a Lucite stand.
The creation of renowned French-American multimedia artist and sculptor Pascal Giacomini, Giaco Guitars™ sculptures are uniquely playable works of art highly prized for both their musical and artistic merits. Technically, they are hybrid oil-can, solid body electric guitars.
This spectacular item, “Vynila, The Queen of Blues,” incorporates one of Giacomini’s original guitar sculptures into a much larger work of 3-dimensional art that celebrates the legacy of blues and rock music in a strikingly imaginative figure.
The sculpture is structured to resemble a regal figure, a queen, adorned in a “gown” crafted from layers of vinyl records. Each record is stacked circularly, forming a layered skirt that represents the depth and timelessness of musical history. Metallic discs above the vinyl skirt add a reflective quality, catching light and bringing an element of modernity and shine to the piece. Draped within the records is a shimmering blue-green fabric that adds a sense of movement and elegance, evoking the emotive power of the blues genre.
The torso of the figure is fashioned from a guitar neck, crowned with a mix of cello halves that form shoulders or wings, adding a symphonic quality to the figure. Hanging embellishments from beaded elements accentuate the sculpture, suggesting jewelry or adornments fit for a musical “queen.”
The headpiece of the sculpture is a Giaco Guitar—the Sunoco Guitar (01/100)—featuring a vintage oil can from the 1940s that ties in a classic blues theme and reinforces the idea of an homage to the past. The overall sculpture is a fusion of musical artifacts transformed into a powerful, iconic figure that celebrates the soulful and timeless essence of blues and rock music, embodying the spirit of a “Queen of Blues.”
Specs for the Sunoco Guitar component of this sculpture include:
Framed Acrylic Painting on Canvas
This whimsical painting was inspired by Bella, Lark Pilinsky’s pet Pomeranian, a captivating and fanciful creature scrunched on the bottom corner of the painting, her cheerful face highlighted by intense splashes of reds, pinks, greens and blues.
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