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The Queen Mother of the West (Xiwangmu) is the most significant of the female Taoist deities and is viewed as having magical powers to controls life, death, creation and destruction and determines the lifespan of every living being. She lives with her husband the Jade Emperor in Kunlun Mountain where she attends her famous garden…
This 19th century Tuareg “king” manilla bracelet/anklet made from brass, copper and iron in the shape of horseshoe is a magnificent example of African metalwork composed of massive flat finials with 10 facets. Adorned with traditional raised finely detailed etched and hammered cross-hatched designs, diamond shapes, triangles and circles, this fine piece is excellent condition with appropriate signs of age and use and comes with a wood and metal stand.
This 18-19th century Tuareg manilla was fashioned using a sand mould in a traditional horseshoe shape with bulbous rounded faceted ends. decorated with hand hammered fine details which have faded from age and wear. Individual Tuareg tribes each use unique symbolic imagery and decorative motifs passed down for generations. It comes with a wood and metal stand.
This horseshoe-shaped manilla from the Mali and Niger region is decorated with hammered and incised embellishments, designs, and decorative motifs unique to individual Tuareg tribes that have been passed on for generations. It is divided into distinct sections, each with detailed traditional etched linear designs, circular cutouts, diamonds, grooves and terminating in large rounded knot finials incised with layered triangles designs. Bracelets/anklets of this massive size were never worn as jewelry but were used as currency and to represent status. The patina shows its age, long use, and wear. It comes with a wood and metal stand.
Tuareg wrist and ankle manillas made from sand moulds were usually shaped in a large C. Recognized for their unique etched designs, symbols, motifs and faceted knob ends, each is a one-of-a kind creation. This bracelet has massive finials with 12 facets containing detailed hand-etched and hammered designs including raised circles. It is in excellent condition with appropriate signs of age and use and comes with a wood and metal stand.
This finely fashioned antique Tuareg manilla bracelet/anklet is a traditional slim circular-shaped bracelet with hoof-shaped terminals, hand incised striated decorations, and faceted rounded beads at the open ends. Manillas were important currency for nomadic populations since they were easily portable. It is in excellent condition with a fine patina and comes with a wood and metal stand.
This 19th-century miniature wood figure is a finely and whimsically carved portly seated merchant. He is depicted as a Laowai or “old foreigner” with a westernized face and hat and oversized hands placed on his knees. Seated on a platform base, he wears garments reflective of the Chinese culture at this time but wears a hat that is clearly not of Chinese origin. Other indications this charming figure is a foreigner include the roundness of his face, western facial features and oversized hands.
This antique carving of a Devi, the Sanskrit word for divine probably was a child’s toy and and a protective item. She has a tikka mark on her forehead, ample breasts – a wish for fertility-, and an upright stance asserting her position as a protective deity. It has been handled so often the wood and paint are extremely smooth with a shiny patina.
While major deities such as Guandi were officially sanctioned by government and religious authorities, many popular deities and historic figures were integrated into Popular Religion beliefs where they were assimilated and greatly modified with local traditions and iconographic depictions such as this. We assume this is Guandi, one of the most revered Chinese deities based…
This Kitchen God and his Wife is posed as streamlined virtual mirror-images and fashioned with a general quality relying on paint rather than deep carving for details. They sit on backless chairs on a plinth, with simplified gold officials’ robes with long color sashes, and well-carved black and gilt head gear. The wife’s face is smooth, generalized and the male face has a more deeply carved surface and painted highlights.
Balinese masks (tapel in Balinese, topeng in Java), are said to have existed since the 10th century and often are danced in sacred Hindu stories with important moral, ethical, historical and philosophical ideas, This is especially true as many come from ancient Hindu texts like ancient epics the Ramayana, the Mahabharata and the Babad Dalem, the…
This polychrome vintage Chinese Republic porcelain figurine represents the most famous and colorful of the Taoist Eight Immortals, Lu Dongbin. He holds his fly whisk at his cheek, a traditional symbol of one who can fly at will. His face has a sweet benign smile with a long beard extending to his waist. He stands on a base with green and black swirling cloud forms indicating his ability to fly. He wears the robes of a Taoist sage in richly painted colors. The figure is in excellent condition and dates to the Chinese Republic Period circa 1920-1940.
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