Showing 169–180 of 314 results
Shiwan stoneware wall-pockets “vases” were used as functional items to hold things like flowers and chopsticks and were in most Chinese homes by the late Qing Dynasty. In addition to their usefulness, they reflecting the Chinese belief that having objects with auspicious images fills your home with favorable and optimistic energy (chi). This is very…
Chopsticks holders were symbols for fertility and traditionally part of a dowry in the form of wall-pockets as the word for chopsticks (kuizi) is a Chinese pun for ‘speedy arrival of sons’. The front has the phrase baizi qiansun (“a hundred sons and a thousand grandsons), an upside-down bat (fu) holding a coin surrounded by…
Decorative utilitarian Shiwan ware pieces are recognized for their fine modeling, vivid expression, and colorful apple-green and drip glazes. Chopsticks were commonly stored in wall pockets with a hole for mounting. Covered with auspicious symbols, they were often part of a bride’s dowry as “chopsticks” is a pun for “speedy arrival of sons.” It can hold utensils, dried flowers, and other objects and is a unique wedding gift.
Initially linked to the Big Dipper in Chinese mythology, Wen Chang is worshipped in the 3rd and 8th months as the God of several spheres: Literature, Books and Writing, Education, Learning and Examinations and is the patron saint of scholars. As one of the revered Taoist-deities, hero and one of the house-gods closely associated with…
Taoist images were represented as scholars, sages, heroes, deities, officials and priests. When these images are taken out of context they are very difficult to identify so we describe them in generic terms as a Taoist Officials, Priests or Deities. We identify this image an Official since he holds a hu-tablet associated with officials and…
Taoist images were represented as scholars, sages, heroes, deities, officials and priests. When these images are taken out of context they are difficult to identify so we describe them in generic terms. Seated on a backless chair wearing long flowing officials-robes with deep folds, we use the terms officials/priests for this image, since he his…
Likely a Taoist official, this carving holds a cup holding an elixir that reputedly would confer to those commissioning the image it a long and healthful life. Discovering elixirs of life that might confer immortality was a motivating belief in Taoism and during Ming and Qing dynasties small images of Taoist officials and priests often…
When ancestral images are taken out of context they are very difficult to identify so we describe them in generic terms as a Chinese Officials or Taoist Officials. This antique-Chinese-wood-carving may represent the noted historical figure the principal regent Dorgon of the first Qing Emperor Shunzhi who ruled from 1643-1650 as a”quasi” emperor based on…
This fine antique Chinese wood carving was likely placed in a clan shrine or home altar with other religious images, ancestor figures or folk heroes reflecting the Chinese syncretic tradition that adhered to multiple spiritual and belief systems. Although it is difficult to identify specific figures, this image is likely a Taoist priest in officials…
Ancestor worship has been practiced throughout China using carved wood figures of deities, monks, priests and ancestor figures on home altars. In recent years there has been a resurgence of ancestor worship, especially in local Chinese communities practices by Buddhists, Taoists, and Popular Religion followers. Carvings of Taoist priests called daoshi often hold Taoist symbols…
The Queen Mother of the West (Xiwangmu) is the most significant of the female Taoist deities and is viewed as having magical powers to controls life, death, creation and destruction and determines the lifespan of every living being. She lives with her husband the Jade Emperor in Kunlun Mountain where she attends her famous garden…
This elegant heddle pulley with a hamsa is carved from a single piece of Burmese teak and portrayed with deeply cut wings to express well-articulated feathers. Having an unusually long tail, it runs from his rear and curves to the top of its head. Its feet are atop two connected heart-shaped panels that hide the moving thimble between them providing a more artistic feel. This piece is in very good condition, is wonderfully weathered, and has with minor losses with a fine patina covers its originally painted surface. Mounted on a black wood base, this heddle pulley pairs well with item number 11298A.
End of content
End of content