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This ancient pottery lekanis is from Apulia in Magna Graecia, the Roman name for the South Italy coastal area colonized by the Greeks in the 6th century B.C.E. Greek settlers arrived with their Hellenic culture intact and had much influence on Italian civilization. A lekanis was a highly decorated low shallow bowl with close-fitting top…
This elegant terracotta piriform (pear shaped) flask contained healing salves, oils, ointments, and other precious items. The three applied raised designs are a lion symbolizes strength and power; palm leaves victory; and the rosette Ishtar, the Mesopotamian goddess of love, beauty, war and justice. The vessel was recovered in eight fairly large pieces, large areas were recovered intact and the fragments restored.
Dating from the 4th century B.C.E., this miniature pottery vessel was wheel-thrown in the Greek colonies, Apulia, Magna Graecia in Southeastern Italy. Called Xenon ware, it’s elegant shape has a curved body, small neck with flared rim and handle and is decorated with painted orange geometric designs. Its diminutive shape indicates it may have been made for use by children or as a votive vessel. Common for pottery of this age there is some fading of the painted decoration and small chips. With no discernible repairs or restorations it is in very good shape for its age and use.
Artisans who were commissioned by family members to carve an ancestor figure they often emphasized positive personal features as well as their high status (or wish to enhance it). So, when they were placed on the family home altar with Buddhist, Taoist, Chinese Popular religious deities, they appeared more important and esteemed. This ancestor was…
This exceptional Qing carving portrays a seated official ancestor wearing traditional official’s attire, a red and black official’s hat and black boots. His inset glass eyes and high cheekbones frame a large curved nose, a strong projecting chin and forehead wrinkles indicating a man of importance with the wisdom of age who demands respect. The top two robe layers have wide borders with marvelous raised lacquer decorations that include beautiful cloud forms, flying phoenixes with spread wings and floral sprays.
Attendant figures are usually presented on an altar in pairs flanking revered figure they honor. This lovely carving is an enlightened being indicated by her pendulous ears, an elevated flowing ribbon, and blissful smile. She traditionally carries offerings which might be food, fruit, medicine, or other unique items. Her extremely pleasing face highlights her modesty as…
This charming miniature ewer or small pitcher was made during the Tongzhi Period and probably used in a restaurant or home kitchen as a dispenser for soy sauce, oils or other liquids. With an elegantly curved spout and handle it is covered with chrysanthemums, plantain curved vertical leaves and bindweed vines. The lid has a lotus shaped bud for lifting, and the bottom has a Chinese antique export seal.
This elegantly shaped small teapot has finely painted cobalt blue chrysanthemum and bindweed designs in the center and upper registers and plantain leaf designs at the bottom, popular underglaze design elements were widely used in late 19th century in domestic and export wares. Below the short neck is a chain of roundels with nineteen spirals, and the lid is covered with bindweed and wave designs, the latter indicating a sea or lake. The lid is topped by a ball handle topped with a four-line star and the bottom has an abstract plantain leaf design. It is in very good condition with two small chips on the lid and a small chip on the end of the spout. The inside has been stained by more than a century of tea brewing.
This is unusual piece was likely on a scholar’s desk along with pots, brushes, water droppers, boxes, ink stones and other daily used objects used for a variety of tasks: a brush holder, a paper weight and more. With its round body covered with the landscape of a Chinese village, mountains and seas and the calligraphic name of the scholar owner Shu Dai Ji (舒逮吉) it would be perfect for placement on any style desk or in a study.
Hand made in a folder style, this Bolivian religious document holder possibly used for priests’ sermons or other important documents, is decorated on each side with brocaded purple fabric with gold thread. The finely brocaded stylized and symbolic passion flower designs are framed by geometric and curved gold borders and the inside and ends are lined in red fabric. Our images do not do it justice as they cannot capture light flickers from the interwoven gold threads and vibrant gold floral patterns.”
Hand made in a folder style, this Bolivian religious document holder possibly used for priests’ sermons or other important documents, is decorated on each side with brocaded purple fabric with gold thread. The finely brocaded stylized and symbolic passion flower designs are framed by geometric and curved gold borders and the inside and ends are lined in red fabric. Our images do not do it justice as they cannot capture light flickers from the interwoven gold threads and vibrant gold floral patterns.
This charming carved and lacquered multi-use box opens from the top and has a side drawer with a metal pull. It is decorated with auspicious carved symbols for a good, healthy, prosperous and long life Carved fu lion heads with flowing manes adorn the front and plum blossoms and a fan the front and frame. Painted calligraphic phrases refer to a wish for many sons. It was likely a wedding gift to newlyweds and still for that or other purpose.
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