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Earthenware terracotta pottery has played a significant role in the cultural, religious and artistic traditions of India for centuries. Indian terracotta images are considered spiritual, mystical and auspicious as Hindus believe terracotta incorporates the five natural elements of air, fire, earth, water and metal. Made with a bivalve mould that is hand luted and hand…
H: 7.25″ W: 6” D: 3.25” | CALL 213-568-3030 OR EMAIL [email protected] FOR SHIPPING COST This mask of a king (topeng dalem) was made by a carver from the Balinese community on the Island of Lombok. Most Balinese carvings and masks are a blend of Hinduism and its initial animism. Hindus on Lombok descended…
Woven from strands of raffia palm leaves, this vintage Kuba cloth reflects the traditional fabric traditions of the Kuba people in the Democratic Republic of the Congo. It is a typically bordered square with rough textural surfaces interspersed with repeated geometric patterns and embellished with sophisticated embroidered, applique and patchwork linear designs of interlocking meandering patterns of vegetable dye shades of dark brown and ivory in a natural flat-weave pattern framed with tufted-cut pile raffia and applique.
Woven from strands of raffia palm leaves, this vintage Kuba cloth reflects the traditional fabric traditions of the Kuba people in the Democratic Republic of the Congo. It is a typically bordered square with rough textural surfaces interspersed with repeated geometric patterns and embellished with sophisticated embroidered, applique and patchwork linear designs of interlocking meandering patterns of vegetable dye shades of dark brown and ivory in a natural flat-weave pattern framed with tufted-cut pile raffia and applique.
Vintage “crowns” called an ile ori the “house of the head,” were cowrie shell shrine made to show gratitude for and recognition of the power of the head and manifest Yoruba ideas of individuality and authority. Not meant to be worn they are often placed on altars for prayer and divination and can be a symbol of a Yoruba deity. This headdress with an impressive design was included in the San Francisco International Airport, “Crowning Achievements” exhibition in April-August, 1994. It comes with a Lucite stand.
The creation of renowned French-American multimedia artist and sculptor Pascal Giacomini, Giaco Guitars™ sculptures are uniquely playable works of art highly prized for both their musical and artistic merits. Technically, they are hybrid oil-can, solid body electric guitars.
This spectacular item, “Vynila, The Queen of Blues,” incorporates one of Giacomini’s original guitar sculptures into a much larger work of 3-dimensional art that celebrates the legacy of blues and rock music in a strikingly imaginative figure.
The sculpture is structured to resemble a regal figure, a queen, adorned in a “gown” crafted from layers of vinyl records. Each record is stacked circularly, forming a layered skirt that represents the depth and timelessness of musical history. Metallic discs above the vinyl skirt add a reflective quality, catching light and bringing an element of modernity and shine to the piece. Draped within the records is a shimmering blue-green fabric that adds a sense of movement and elegance, evoking the emotive power of the blues genre.
The torso of the figure is fashioned from a guitar neck, crowned with a mix of cello halves that form shoulders or wings, adding a symphonic quality to the figure. Hanging embellishments from beaded elements accentuate the sculpture, suggesting jewelry or adornments fit for a musical “queen.”
The headpiece of the sculpture is a Giaco Guitar—the Sunoco Guitar (01/100)—featuring a vintage oil can from the 1940s that ties in a classic blues theme and reinforces the idea of an homage to the past. The overall sculpture is a fusion of musical artifacts transformed into a powerful, iconic figure that celebrates the soulful and timeless essence of blues and rock music, embodying the spirit of a “Queen of Blues.”
Specs for the Sunoco Guitar component of this sculpture include:
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