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Dressed in a red robe with a high neck collar, extremely wide sleeves extending below the knees and a belt around his waist, this ancestor figure portrayed as a civilian official standing on a rectangular base with hands together wearing a long civil official’s robe that extends to his shoes but has no rank badge indicated.
This wonderful teak carving may be an indigenous Burmese Nat placed atop a large fleur-de-lis shield reflecting British influence. Wearing a local native sarong (longyi) with an attractive border drawn up between his legs, a decorative pointed collar covers his chest and shoulders, his headgear is pointed at each side, the eyes are mother of pearl, and the red-painted lips are what remains of what was likely a fully painted carving.
This masterful small carving with gilt is Leigong, the Chinese God of Thunder seated on a mythical hou. whose celestial scarf floats behind him. An important protective guardian, he was one of many prominent symbolic sentinels guarding the occupant of a highly detailed carved Chinese bed to keep away untoward influences and spirits. Finely carved, it is mounted on a frosted acrylic base and is one of a pair with Guanti God of Justice on a Hou (16325).
This well carved image probably is a Taoist official that was placed on a home altar along with other religious and ancestral carvings to summon good wishes and energy and ward off malevolent forces. His high status and importance as a Taoist official are affirmed by his static pose, solemn face, official’s robes and refined hat and the red and gilt pigmentation covering the front and back.
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This offering plate with a stack of five propitious fruits was probably affixed to one of the bed posts for a couple as a wish for male children and longevity. The plate sits on a base draped with a stylized ritual cloth and embellished with carved leaves and holds a pomegranate on top to symbolize fertility and the four peaches below are symbols of longevity.
This rare, sensitive and beautifully carved image probably depicts Guanyin the Bodhisattva of Compassion holding a young child’s hand glancing down with compassion and tenderness while he looks up for assurance and protection. This unique provincial Popular Religion carving depicts her as humble, engaging and modestly clad with a serene softness. It is similar to but different from Songzi Guanyin, the “Child-Giving Guanyin” to whom couples pray to become fertile and to bear a son.
H: 13.75″ W: 5.25″ D: 4″ | FREE SHIPPING WITHIN CONTINENTAL U.S.!
This ancestor figure, carved in boxwood the preferred wood softwood during the Qing Dynasty, is portrayed in the characteristic pose of a Chinese civilian official, grasping his official’s belt with his right hand to demonstrate his important stature – which was really not so important for this gentleman, given his humble seating furniture and his modest attire. His right hand rests on the his knee as he sits erect on a thick low-back pedestal. Unlike many officials who are serious, this one is more approachable, with simple deeply carved smiling features, high arching brows and a black painted mustache and beard.
Ht: 27.5” W:13.5: D: 10.25” | CALL 213-568-3030 FOR SHIPPING QUOTE OR EMAIL US AT [email protected]
This antique carving is a magnificent example of fine provincial Buddhist statues made by local artisans. This serene exquisitely carved Guanyin sits on a detached pedestal base in meditation. Made to be seen in the round, she wears a traditional three part garment with delicate incised leaves and leaf motifs on the front, back, and sleeves. Her gentle, sweet face is soft and has a peaceful and calming half smile. Her high pointed crown depicts the Five Tantric Dhyani Buddhas, which which are rarely seen in provincial Guanyin images. .
This vibrant and finely carved wood statue is the old good-natured Earth God Tudi Gong once found in most rural communities throughout China. He is a kind and benevolent god as seen by his good natured features, believed to live in and help residents of small villages, especially for issues relating to agriculture or wealth. As an administrator he sits on a horseshoe chair wearing officials clothes and carries a tael, a gold bar that symbolizes a wish for wealth. With his sweet and unpretentious demeanor, he looks like someone you just like to hang out with. Once in every village and most homes, these charming images have, like all Taoist deity images, become scarce.
This extremely fine Queen Mother of the West wears her ornate headdress centered by her iconic phoenix representing the sun and her authority. She is the patron deity of women, a divine teacher and is closely associated with the cultivation of virtue and immortality. On her holy birthday devotees, especially women, gather in temples for celebration rituals.
This delicately carved seated female attendant probably accompanied a religious image on a home altar. She holds an offering plate with three offerings of dumplings or pieces of fruit, possibly a peach trio which is a Chinese longevity symbol. A three-item offering is a also pun for a group of three ancient coins known as tael, a symbol of wealth and a wish for high status.
Antique Chinese puppets were often made in several parts with removable heads. This antique carved head of a beauty has delicately painted features and an animal hair braided down the back. Since there is an area without hair towards the back, she likely originally wore a hat or headdress. A hole on top probably accommodated strings.
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