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Hu vessels, first made in the Shang Dynasty is an ancient-pottery wine vessel whose body swells in the middle, flares into a narrow neck and often has a raised circular foot. Very popular during the Han dynasty, it was used as an ancestral tomb burial object (mingqi) to hold liquids and elixirs for the deceased…
Mingqi are ancient earthenware pottery items usually made using a bivalve mould and covered with a lead glaze that fired to a dark green. The lead in the glaze often combined with tomb dampness for centuries creating a chemical reaction changing its coloring into a lustrous and iridescent green seen here. Han mingqi were ancestral…
This ancient figurine is Harpocrates the Greek god of silence and secrets holding a jar made for a home shrine. He probably represents a royal and temple cult, as he wears a double crown symbolizing both Upper and Lower Egypt and his royal emblem signifies his association with the reigning Egyptian king, who was considered a manifestation of the Egyptian god Horus. Missing part of his right side when excavated, and no with no repairs this is a true slice of history. It pairs well with #1845 Ancient Pottery Figurine of Child Nurturer Goddess.
This Roman Egyptian figurine from Alexandria of a woman holding a young child is a Kourotrophos, a class goddess figures holding infants or children. Referred to as “child nurturers”, these were revered deities, cult figures and mortals who were also fertility symbols and protectors of the young. Made from a bivalve mold, this terracotta figurine was probably placed on a home altar for protection. Mother and child figures like this are universal and appear in cultures throughout the world. It pairs well with #1844 Ancient Harpocrates Figurine.
This extremely rare late Ming/early Qing dynasty antique-Chinese-wood-carving carving is divided in two parts and is significant for its juxtaposition of images as well as its unique iconography. The top is one of the Taoist officials in typical officials-attire: an official’s hat, a tiered robe with a red sash extending to the tops of the…
Although this wonderfully carved antique figure portrays an ancestor depicted as an official, his atypically benevolent and finely modeled face makes him a very endearing figure. Old and weathering from age in its rear, this piece was repainted probably in the 20th century, as was periodically done with old figures with losses, especially due to seasonal South China climate. With his individualized convincing features, he is a very relatable rather than authoritarian figure, possibly resulting from the affection of the family that commissioned it. This beautiful and vibrant carving would enhance any setting.
Artisans who were commissioned by family members to carve an ancestor figure they often emphasized positive personal features as well as their high status (or wish to enhance it). So, when they were placed on the family home altar with Buddhist, Taoist, Chinese Popular religious deities, they appeared more important and esteemed. This ancestor was…
This exceptional Qing carving portrays a seated official ancestor wearing traditional official’s attire, a red and black official’s hat and black boots. His inset glass eyes and high cheekbones frame a large curved nose, a strong projecting chin and forehead wrinkles indicating a man of importance with the wisdom of age who demands respect. The top two robe layers have wide borders with marvelous raised lacquer decorations that include beautiful cloud forms, flying phoenixes with spread wings and floral sprays.
This very finely carved figure of an ancestor was commissioned by a family of either high status or wealth, having been carved from a single piece of an exquisite and rare hardwood with a lustrous patina. The exquisite carving in beautiful dense wood and patina make this a wonderful and distinctive piece.
Dressed in a red robe with a high neck collar, extremely wide sleeves extending below the knees and a belt around his waist, this ancestor figure portrayed as a civilian official standing on a rectangular base with hands together wearing a long civil official’s robe that extends to his shoes but has no rank badge indicated.
Taoist images were represented as scholars, sages, heroes, officials and priests. Taken out of context, it is almost impossible to specifically identify individual images but given certain features and symbols: air of solemnity and importance, static pose, officials attire with round collar, and elaborate hat, this is is probably a Taoist official. Seated on a…
This ancestor figure, carved in boxwood the preferred wood softwood during the Qing Dynasty, is portrayed in the characteristic pose of a Chinese civilian official, grasping his official’s belt with his right hand to demonstrate his important stature – which was really not so important for this gentleman, given his humble seating furniture and his modest attire. His right hand rests on the his knee as he sits erect on a thick low-back pedestal. Unlike many officials who are serious, this one is more approachable, with simple deeply carved smiling features, high arching brows and a black painted mustache and beard.
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