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In China a set of earthenware Zodiac attendant figures was made as a 12 piece grouping, with each figure holding a small calendar animal with each year represented by a different animal – rat, ox, tiger, rabbit, dragon, snake, horse, goat, monkey, rooster, dog, and pig or boar – in a repeating 12-year cycle. Although…
This very rare and fine 16th century home shrine image displays the benign and compassionate countenance of Songzi Guanyin the “Bestower of Children.” With round face and joyful half-closed and eyes, she looks lovingly at the child whose arm is draped over hers.and leans slightly forward, wearing a 5- lobed crown centered with a camellia flower a Chinese symbol of young sons and daughters. The inscription on the back dates the piece to 1521-1567
During the Ming Mount Putuo in the China Sea became the pilgrimage center for Guanyin worship and Nanhai Guanyin became a new authorized iconographical manifestation. As here, she was often portrayed as a triad with Shan Tsai with hands in prayer on her right and the Dragon Princess Longnu offering her the “illuminating pearl” on her left. This small carving on an Acrylic base is one of our favorites in the VA collection.
This provincial Nanhai Guanyin sits with her palms at her heart in anjali mudra, a mudra of offering rarely used for Nanhai Guanyin. She sits on a two tiered lotus throne on a lotus at the entrance to her Tidal Cave on Putuo under a craggy rock outcrop framed by pierced openwork. Placed on a home altar, her modest presentation reflect local beliefs to resonate with provincial populations.
This white hooded Nanhai Guanyin sits in her Cave o Mount Putuo below an arch of openwork draped moss and barbed rocks, a vial and parrot at her side, holding scrolls that represent the sutras with which she is associated. She sits in modified lalitsana atop an open lotus symbolizing purity and enlightenment surrounded by 2 closed lotuses symbolizing the potential for enlightenment.This rare provincial image was used for placement on a home altar.
Carved from one piece of wood, this triad depicts Nanhai Guanyin and her two acolytes, Shan Tsai (now lost to deterioration) and Longnü, the Dragon Princess holding the Precious Gem. As a Pure Land Buddhist carving, her crown is centered with Amitabha Buddha in meditation bordered by the flames of Buddhism. Despite its losses, this Ming/Qing carving retains its spiritual and serene charm
In this elegant and vibrant carving Guanyin sits in meditation. her beautiful, serene face elegantly carved in contemplation withbud-shaped lips softly set in a welcoming and benign sweet smile wearing a five-lobed crown. She sits on an open lotus with a vertical post at her sides; her sacred vial on her right and a parrot on the left. Antique carved i Guanyin statues with her symbols in this condition are quite wonderful and rare and impart a feeling of serenity to the environment around them.
This unique pair of attendants was likely placed on a home altar flanking and looking slightly inward to a Buddhist or Taoist figure or deity. Standing on circular pedestals, they smile slightly with down cast eyes presenting boxed offerings. One box has ribbons symbolizing the object’s miraculous powers and a wish for longevity. Rare to find pairs of charming figurines, they look even better on custom frosted Acrylic stands.
This is a really great pair of stone small fu lions with lots of character, humor, and detailed carving. Each of these very joyous creatures has open mouthed smiling faces with radiant eyebrows and tufts below their chins, scalloped manes and bushy tails. Carved from one piece of a blackish hard stone they could easily withstand additional wear of the elements in a garden. Pairs of fu lions like this belong in the home of people who appreciate spirituality and wish for happiness and fortune along with a touch of wit and whimsy.
The peacock is very significant in Buddhism, especially the Theravada Buddhism practiced in Burma. It is one of 108 images on the Buddha’s footprint and reflects the short-lived nature of all things, since it appears and vanishes as swiftly as it displays and furls its tail. It is believed that peacocks can eat poisonous plants…
Seated imperiously on a horseshoe chair with legs on a turquoise embossed pedestal on a base with carved characters of her title “Holy Mother in Heaven,” this majestic Mazu is depicted in the imperial style, wearing a regal flat topped headdress and elaborate robes with dragons and an officials girdle at the waist highlighted in red and covered with gilt. This wonderful carving is in excellent condition after years of use.
This serene and meditational figure represents a Mahayana Buddhist monk on a backless chair, right leg crossed and right hand palms out in a sign of blessing. With his gentle features – eyes half-closed looking down and his mouth set in a slight sweet smile, enlarged ear lobes of an enlightened being – and softly flowing robe he brings a peaceful and meditative spirt to any space. Made to be viewed in the round It mounted on a custom black wood stand.
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