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As one of the most popular Mahayana Pure Land images, especially during the Ming and Qing dynasties, this antique Chinese wood carving of Nanhai Guanyin of the Southern Seas is seated on a symbolic craggy rock outcrop below an arch of draped moss (some of which is missing ) at the entrance to the Tidal…
This Nanhai Guanyin sits in her cave home on the island of Putuo represented by pierced openwork, craggy surfaces and open area at the cave top. Guanyin’s image almost fills the cave’s opening seated in dhyana (meditation), thumbs forming a triangle symbolizing the triratna, the Three Gems of Buddhism (the Buddha, the Dharma (Buddha’s teachings)…
Nanhai-Guanyin seated in meditation (dhyana mudra) in her Tidal Cave on Putuo is one of the most popular Mahayana Pure Land Guanyin images, especially during the Ming and Qing dynasties, and strongly reflects the Chinese syncretic blending of religious beliefs. Provincial craftsmen portrayed her in to reflect local beliefs, lifestyles and customs that resonated with…
This is a really great pair of stone small fu lions with lots of character, humor, and detailed carving. Each of these very joyous creatures has open mouthed smiling faces with radiant eyebrows and tufts below their chins, scalloped manes and bushy tails. Carved from one piece of a blackish hard stone they could easily withstand additional wear of the elements in a garden. Pairs of fu lions like this belong in the home of people who appreciate spirituality and wish for happiness and fortune along with a touch of wit and whimsy.
The peacock is very significant in Buddhism, especially the Theravada Buddhism practiced in Burma. It is one of 108 images on the Buddha’s footprint and reflects the short-lived nature of all things, since it appears and vanishes as swiftly as it displays and furls its tail. It is believed that peacocks can eat poisonous plants…
Seated imperiously on a horseshoe chair with legs on a turquoise embossed pedestal on a base with carved characters of her title “Holy Mother in Heaven,” this majestic Mazu is depicted in the imperial style, wearing a regal flat topped headdress and elaborate robes with dragons and an officials girdle at the waist highlighted in red and covered with gilt. This wonderful carving is in excellent condition after years of use.
This serene and meditational figure represents a Mahayana Buddhist monk on a backless chair, right leg crossed and right hand palms out in a sign of blessing. With his gentle features – eyes half-closed looking down and his mouth set in a slight sweet smile, enlarged ear lobes of an enlightened being – and softly flowing robe he brings a peaceful and meditative spirt to any space. Made to be viewed in the round It mounted on a custom black wood stand.
Known as the Laughing, Happy, or Fat Buddha, Budai is regarded as a deity of contentment and plenty. Like most Early Chinese Republic porcelains this piece is hand decorated in famille rose enamels with vivid blue, red, and green pigments portrayed as a stout, smiling, bald monk in robes with a large, exposed pot belly surrounded by five children. Since the stomach is considered the seat of the soul in Chinese beliefs, it demonstrates his open heartedness. His wide smile attracts the children surrounding his body indicating his regard for them and his joy when they encircle him and well as the belief he can bequeath families with children.
One of a pair of antique low tables on 3 folding bamboo-shaped leg supports, this traveling prayer/study table was designed for Tibetan monks or nomadic families to lay out sutras (scriptures), scrolls, books and other study materials and by Tibetan devotees as a personal altar/prayer table. It is simply decorated with painted florals on vines and a fruit offering bowl symbolizing the flowering of enlightenment and opening of the heart.
Although they are Buddhist images, Lohans are portrayed as a real person with very individual, distinctive, and un-idealized features. His benevolent youthful sweetly smiling face with downcast eyes is an image of compassion, wisdom and peace.This exceptional, beautifully crafted rare 17-18th century Ming/Qing large Lohan is from the same Buddhist location as the foreign-born heavy bearded Lohan Bodhidharma, and the same artist may have carved both. We recommend keeping them as a pair to display together.
This charming rare White Robed Guanyin sits on a Hǒu, the mythical guardian beast that symbolizes righteousness and morality and the mandate to usher in peace and prosperity. This Hǒu is a gentle Buddhist creature curled around Guanyin’s side as she in lalitsana clasping a rosary. This fine and rare provincial folk version of Guanyin is a small yet powerful carving, mounted on a frosted Acrylic base.
This wonderfully carved Nanhai Guanyin statue is notable for its highly ornate and beautiful diadem centered by an elaborately framed image of Buddha Amitabha seated in meditation. Her vibrant aura radiates spirituality and opulence, serenity and strength, as well as compassion and grace, making this statue a truly masterful piece of art.
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