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The 5-lobed crown of this rare Nanhai Guanyin contains the 5 Dhyani Tantric Buddhas of Wisdom. Carvings like this that were consecrated for placement on home altars were often covered in gilt as both a display of personal devotion and the wealth of the donor.
This masterfully and elaborately carved image represents the legendary Guan Ti (also Guandi, Guan Yu), the Chinese God of War and Justice wearing a celestial scarf. This most popular Chinese historical military hero is all things to all men, prayed to for protection and prosperity. He is generally portrayed as here wearing a soldier’s uniform…
The most distinguishing feature of this finely carved Nanhai Guanyin is her elaborate scalloped crown centered by the Amitabha Buddha of Infinite light. In Pure Land Buddhism crowns are believed to bestow a divine and solemn quality to Guanyin images. This serene yet elegant carving is perfect to enhance any personal meditative space.
Cocoon jars were mingqi made for placement in tombs to comfort the deceased on their journey to and in their afterlife. An elixir of Immortality made from mulberry leaves or their ashes was placed inside for the deceased to drink and transmigrate into the world of the beyond. Ovoid in shape to resemble a silkworm cocoon, ajar rests on a small trumpet-shaped foot and has a narrow neck and a wide lip at its mouth. Painted after firing with vertical bands dividing it into panels, swirling cloud scrolls, and circular “eye” motifs at each end, this beautiful vessel is in excellent condition for its age with expected paint losses, scrapes, and dirt adhesions.
This rare magnificent image of Buddha Shakyamuni is represented in meditation position called Ch’ien Pai Yi Hua-shen (the Hundred Billion Human Manifestations) in Chinese, the position the Buddha assume while seeking enlightment under the Bodhi tree. and is based upon Indian models carried to China. The hands are in dhyana-mudra the thumbs touching at the tips forming a triangle symbolizing the triratna (Three Jewels of Buddhism), which are the Buddha, the Dharma (the Buddha’s teachings) and the Sangha (the community of monks). The wan symbol on Shakyamuni’s heart symbolizes infinity and auspiciousness often shown to to contain within it the whole mind and heart of the Buddha.
This magnificent and rare Ming Dynasty Buddha is covered with dark lacquer and indications of the vibrant gold and red pigmentation that once enhanced this image. His beautiful face radiates serenity with its benign expression as he sits in meditation on an elaborate lotus throne. Made to be viewed on all sides his three part monk’s robe extends with flowing sleeves over his feet and down his back. In excellent condition with minor paint losses, this rare masterpiece would enhance any environment with its spiritual energy and beauty.
As a protector of the sea Guanyin sits above a fish – represented as an emerging head and tail which symbolizes her power to help sentient beings safely sail through the sea of suffering which divides the mortal world and the Western Paradise to which Pure Land Buddhism devotees are brought upon their death. In this rare 18th century carving, the lotus on the base represents purity and the stem symbolizes Buddhist teachings which give rise to purity of mind.
Luristan nomads made sophisticated and imaginative bronzes prized in the ancient world for their inventive designs and fine craftsmanship. This Iron Age finely cast figurine depicting a long horned goat, a major source of food for survival has a detailed head with long antlers, tall thin legs, large eyes and a slightly curved body and is mounted on a Lucite base.
This extraordinary rare and delicately rendered rural carving is a female bodhisattva possibly Guanyin seated on a lotus throne atop an ox. Beautifully highlighted in vibrant gold and adorned with intricate designs on the lotus petals and ox’s saddle coverings, this statue shows how the concept of a bodhisattva was adapted to the deification of “draft animals” (beasts of burden) who were integral to rural daily and agricultural activities in Chinese Popular Religion, Buddhism and Taoism beliefs.
This delicately carved home altar Guanyin is gender neutral in meditation on a lotus throne. Her humble demeanor, modest robes and absence of stylized decorative details exemplify the best of provincial Ming and Qing carvings. She is a tranquil figure with simple, soft, and beautifully rendered facial wearing a five-lobed crown symbolically representing the five Dyhani Buddhas and reflecting Vajrayana Tantric influence.
This rare and beautiful cadence drum was used in a Chinese temple to help monks and chanters think about the meaning of the texts they recite. Carved fish scales and two fish heads embrace a pearl carved on the handle to symbolize unanimity and accord. The fish pair is similar to the popular pair of…
This rare Ming/Qing wood Buddha as an infant is remarkable because of the way it has survived: although the arms, legs and torso have deteriorated, it is virtually untouched from the neck up. With its smooth but irregular surface, this piece for lovers of wood, which probably more striking than the original piece, as its erosion shows the random miracle of chance. Highlighted on a frosted acrylic base.
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