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This Dalem is a traditional folk-art and ethnic mask (topeng) from Bali made from pulai wood of a Hindu king (Dalem). He stares directly at the viewer while his high cheeks help express his poise and the ability to remain cool in a crisis. This is a fine example of a gifted carver able to…
Deeply carved rows of black hair atop the horse’s head form a carved pattern framed by the upward-pointed ears that emphasize the horse’s alertness. Wonderfully modeled with flowing forms, this carving demonstrates the gifts of Tibetan woodcarvers. One can only imagine how important horses are to Tibetans living on “the roof of the world.” Without…
This beautiful carving is too large to be a traditional dance mask, but is still a wonderful and fine folk art creation by an amazingly talented artisan. When it was collected in the 1970s, it was identified by the Balinese seller as Dayu or Dahyu, a high-caste Brahmana woman from the first Balinese caste. She…
The culture, rituals, tribal and ethnic art of the Dayak (Dyak) of Kalimantan (Borneo), Indonesia is a mix of shamanism, animism and ancestor worship. Dyak festival masks worn on the face or large ones attached to a costume repel malicious spirits from entering communal spaces, insure village safety, protect babies in their carriers and defend…
The Dayak (Dyak) people live on the Island of Kalimantan in the Indonesia part of Borneo and their hudoq masks are offerings to attract gods, ancestors and sacred rice spirits that assure the fertility of rice and protect villages. They are tribal, folk and ethnic objects that may not only worn on the face; they…
The religion of the ethnic Dayak (Dyak) people of Kalimantan (Borneo), Indonesia is a mix of animism, shamanism and ancestor worship. Their word hudoq describes three different things: it describes the pests that can destroy the rice harvest on which their survival depends; the name of the huge yearly Dyak planting celebration and the name…
This doll is a Chinese nuo opera dancer whose costume decorated with 5-petal plum blossoms symbolizing longevity and, with its 5 petals, a wish for the Five Blessings or Happinesses. In many cultures, dolls were children’s entertainment and didactic tools to teach beliefs, philosophy, lore, and history specific to each culture. In China dolls were…
Carved Burmese/Myanmar teak heddle pulleys were primarily used in strip-weaving, a process using small handlooms to weave long, narrow strips of cloth sewn together to create larger textiles such as blankets and ritual cloths. They are used in pairs and are tied together by a string that runs through a mechanism at the top of…
Ibeji carvings from Nigeria are idealized folk art conforming to Yoruba artistic and cultural conventions without closely reflecting human likenesses. Symmetrical and restrained with oversized elongated heads where one’s spirit, intelligence and the seat of divine power lie, they often have detailed linear coiffures that can be a third or more of the figure’s body…
Javanese Wayang (puppet theater) Topeng (literally “pressed against the face” or mask) is a very refined dance form accompanied by gamelan music. In Bali Topeng tua is the charming dance of an old courtier’s fragile movements, his lack of control and his gathering energy for a short lively dance. He sits behind a cloth curtain,…
This ethnic and folk-art Bali legendary court minister (topeng patih) is performed in a special mask dance named Topeng Panjegan, as only one dancer interprets five different characters wearing full face masks preventing speech. Patih manis (Sweet Minister) is often the first solo dance after a gamelan orchestra introduction, and this patih keras (strong minister)…
All ethnic mask (topeng) dances in Bali are accompanied with music from a gamelan percussion orchestra as are dramas and other entertainments considered as offerings to honor, please and attract the favor of the gods and ancestral spirits. In the west dancers put on masks to pretend they are someone else. Balinese dancers become the…
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