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Wearing a full mask of an ideal high-born Hindu king (dalem), dancers from Bali perform folk-art and ethnic-art dances without speech using only body language, gestures and movements to depict…
This mask is patih keras, a strong king’s prime minister in orange symbolizing a tough, intense and powerful person reinforced by his large bulging eyes, powerful stare, red lips and full black moustache. Personally collected in Bali in the 1970s, this beautifully carved mask is in excellent condition with a wash applied on the back to make it look older.
This fine, deeply carved and painted Balinese mask is the king’s strong prime minister (patih keras), a position of prestige usually filled by warriors of the second Hindu (ksatrya) caste. The large bulging eyes increase the power of his stare and the outsized thick bright red lips symbolize his intensity. This mask was personally collected in Bali in the 1970s and is in excellent condition with minor hair loss on the eyebrows.
This fine vintage historical ethnic Balinese mask is Kebo Taruna. the powerful Balinese minister (patih) feared by Gaja Mada the brilliant Javanese “Elephant General” who brought the Indonesian Hindu Majapahit Empire to its peak and conquered Bali in 1343. His peculiar half-smile, forceful eyes and angular nose are carved to complement his intense expression, make it look more forceful and add energy to the mask. These features describe the minister’s power and confidence. Finely carved and embellished with animal hide and hair for his mustache and eyebrows, this mask is in excellent condition.
Click here for the blog Indonesian Dance Masks (Topeng): Spiritually Connecting the Community
This fine vintage teak carving depicts a Burmese dancer holding a sword with his right hand behind his head. His attire includes elements of formal court dress: a court cap, a top with long sleeves ending at the wrists and collar with half-round segments, and a skirt-like sectioned pants with dramatic wing-like projections. Also, males and females could not touch during the performance. As a set, the three panels the Female Farmer with a Hoe (T052C-BLE), Female Farmer with a Basket (T052B-BLE) and the Court Dancer T052A-BLE) would make a unique and charming wall arrangement.
This delightful polychrome wood folk panel of a barefoot female farmer carrying a basket is one of special, finely executed modern folk “antiques” created in Burma in the past few decades. This charming creation exhibit the skills and creative imagination of a Burmese folk art artisan producing an attractive earthy and decorative quality that compliments and adds warmth to any interior. By adding a back hook it can be made into a unique wall decoration. As a set, the three panels of the Female Farmer with a Hoe (T052C-BLE), Female Farmer with a Basket (T052B-BLE), and Court Dancer (T052A-BLE) would make a unique and charming wall arrangement.
This delightful polychrome wood folk panel of a barefoot female farmer is one of some special, finely executed folk-art “antiques” created in Burma in past decades. It exhibitss the skills and creative imagination of a Burmese carver-artist who producied a fine earthy, attractive, fine decorative piece to compliment and add warmth to any interior. By adding a picture hook, it can become a unique wall decoration. As a set of 3, the panels Female Farmer with a Hoe (T052C-BLE), Female Farmer with a Basket (T052B-BLE) and Court Dancer (T052A-BLE) would make a stunning and charming wall arrangement.
This vintage rice paddle or spoon from the Indonesian Island of Lombok was likely carved by a Sasak craftsman. The end of the handle is bird head, probably a parrot, with a finely carved beak and angular cuts indicating its delicate neck feathers. Parrots are revered throughout Indonesia, home to 85 species. This folk art carving is a great kitchen accessory.
This traditional but unusually small mask (topeng) of Rangda was a rare toy or was used to teach children Balinese lore and religious and artistic expression. It has wonderfully carved upper fangs, bulging eyes and protruding teeth and, as a personification of evil Rangda, who leads an evil army that instills anxiety and fear.
This charming vintage figurine of a cow suckling its calf was mold-made in separate parts, hand-luted and painted, resulting in images made from the same mold unique and individualized. Pieces like this were created by provincial craftsman for use in home altars along with favored deities. Although having strong rural roots, terracottas have become an integral part of the life of Indians of all socio-economic levels and many of these images are displayed in most Indian households. As modern pieces are mass-produced, those produced in the first half of the 20th century are becoming viewed as collectibles.
This colorful terracotta figurine of an Indian policeman stands on a blue base wearing a typical outfit of black boots, a long-sleeved tunic with white borders, a high belt, and a red, green, and brown wrapped turban with white borders that combine to portray an extremely confident figure. This vintage image is mold-made in two parts and was hand-luted and artfully hand-painted so all images made from the mold are unique and individualized. The provincial piece was created by a village craftsman and it is possible it may have been used in a home altar. It is in good condition with some minor surface cracks, paint losses and repainting to the nose.
This charming colorful terracotta image represents a crowned mustached raja – an Indian King, prince, noble or dignitary – with an elaborate high crown and sumptuous jewelry draped over his chest riding an elegant and well-muscled rearing horse with its front right leg in the air, a common theme in Indian art. The decorative garlands around the horse’s neck, green plants, and ground over which the horse and rider glide, long arching horse tail, the twist of the raja’s body so he faces forward, and other aspects of the piece add dramatic energy. Made from bivalve moulds that are hand luted and painted, no two images are identical.
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