Showing 37–48 of 50 results
Nandi is among the most frequent Hindu deities worshiped in public places, temples, homes, or on a home altar throughout India. As one of Hinduism’s mythical animals, Nandi is Shiva’s vahana, (his mount that transports him), attendant and leader of his attendants and guardian of all four-footed animals. A recumbent image of Nandi on a…
This antique Ethiopian Cross combines several cultural traditions: an Egyptian round ankh surmounted on cross pattée with flaring arms that narrow towards the center. This striking pendant is heavy and large with a massive presence softened by its smooth surface and simple elegance. Prior to the 20th-century, pendant crosses were often made in small villages by skilled local metal smiths that were simpler, yet strikingly beautiful and powerful. The coin silver chain is not included.
This simple but elegant Coptic Cross displays a commonly used tradition of including a circle surmounted on a Latin cross based on the Egyptian ankh set on a variation of a Cross Pattée with flaring arms. This unassuming yet striking pendant is heavy and large with a massive presence that is softened by its smooth surface and simple elegance.
This rare pendant of Ganesh and his mother Parvati seated on a throne is framed within a betel shape with scalloped edges. It is finely crafted heavy silver piece with a top round suspension loop that mirrors the ovule on the bottom. Used as a protective amulet, it shows signs of wear that give it a smooth fine patina.
This lovely 20th century Thai bronze statue is the White Clad Guanyin seated in meditation with her hands in her lap holding her vial of precious dew with her legs covered by her robes which flow to the top of the finely rendered multi-tiered lotus throne. Her open hood is centered by a mandorla surrounding an image of Buddha Amitabha, the Buddha of Infinite Light, her spiritual teacher. She is a vision of compassionate serenity with her half closed eyes and benevolent smile.
A belief in Hinduism is that the light and heat produced by an oil lamp and incense burner aid devotees to access the divine and to focus their attention and awareness on the images of the deities (murti) and their positive powers. Using them with fellow devotees in combination with the arati ritual (moving a…
Chinese belt hooks were worn with the hook end on the wearer’s left and fastened to clothing with a button like bronze piece fixed to the belt’s end. Initially only functional, metalwork belt hooks became a symbol of wealth, high status and power by the Han Dynasty. They were made using a variety of materials…
Tribal jewelry is especially significant in Afghan culture, reflecting the identity, unique style, motifs and symbolism of its many ethnic groups. Jewelry made by the Kuchi tribe, also known as the Pashtun people, has a 3000-year history. ‘Kuchi’ is an Afghan Persian Farsi term meaning ‘those who go on migrations’. It is the generic term…
Luristan nomads made sophisticated and imaginative bronzes prized in the ancient world for their inventive designs and fine craftsmanship. This Iron Age finely cast figurine depicting a long horned goat, a major source of food for survival has a detailed head with long antlers, tall thin legs, large eyes and a slightly curved body and is mounted on a Lucite base.
Manillas were commonly used by the Yoruba in the Coastal regions of Nigeria and along the Niger River. This thin simple round C-shaped manilla is decorated with incised linear designs on the outer round surface: it is centered on the top with parallel zig zag lines between a set of four parallel indentations which frame it. Each end also has zig zag indented striations. Simple, yet elegant, the bracelet is in very good condition, with normal wear, and pitting that verify its age and use. It comes with a wood metal stand.
This traditional African hammered iron gong is elegantly shaped like a flaring bell. Heat riveted, a forging process joining two metal pieces together, it was made by Congolese tribal people. Made with 5 parallel lines of 5 decorative round bulges on both sides, it was often held using a raffia handle and beaten using sticks covered with rubber at its end. Originally a ritual instrument, they were also beaten to call members of special restricted societies to meetings and were a symbol of wealth, prestige, and influence.
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\nVintage Kuchi tribal coin silver pendants like this were worn as dress adornments by the nomadic Turkmen people of Afghanistan. The vintage center rectangular pendant contains inset red and blue glass in an ornate frame with dangles. They are suspended on a hand strung chain of elaborate vibrant bead work. It shows the fascination with stimulating the senses with vibrant infusions of color and clanging objects the remarkable workmanship of the Kuchi artistic traditions passed on for 3,000 years.”
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