Showing 157–168 of 211 results
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$110.00
SOLD
Manillas were commonly used by the Yoruba in the Coastal regions of Nigeria and along the Niger River. This thin simple round C-shaped manilla is decorated with incised linear designs on the outer round surface: it is centered on the top with parallel zig zag lines between a set of four parallel indentations which frame it. Each end also has zig zag indented striations. Simple, yet elegant, the bracelet is in very good condition, with normal wear, and pitting that verify its age and use. It comes with a wood metal stand.
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$1,133.00
H: 32″ W: 20″ D: 7.5″ SHIPPING INFORMATION REQUIRED. CONTACT US AT 213-568-3030
This exceptional naga was one of two that comprised a gong stand. Gongs were used in Burma for both ceremonial and musical purposes in religious, state, or secular settings. A protection figure, this naga is a superb carving elaborately decorated with gold lacquer and pigmentation. He opens his mouth wide bearing mother-of-pearl teeth and a curled blood red mouth and tongue to drive away malevolent spirits, also reinforced by the large glaring eyes circled in red. On first glance it is menacing, but its history as a protector of Buddha Shakyamuni make it prized as a fanciful, gleeful guardian. His scales are arched relief designs of mixed lacquer and ash and they are highlighted with inset cut mirrors and green sequin-like glass “jewels.” It is mounted on a museum quality stand and is in excellent condition for its age and use despite missing an ear.
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$630.00
A potlatch means “to give away” or “a gift” and is a traditional feast central to many cultures of indigenous peoples of the Canadian Pacific Northwest Coast including the Haida tribe who have existed for over 17,000 years and currently inhabit Northern British Columbia, Pacific Northwest United States, and Southeast Alaska. Its main purpose is…
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$395.00
H: 21″ W: 8″ D: 4.75″ | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030
This traditional African hammered iron gong is elegantly shaped like a flaring bell. Heat riveted, a forging process joining two metal pieces together, it was made by Congolese tribal people. Made with 5 parallel lines of 5 decorative round bulges on both sides, it was often held using a raffia handle and beaten using sticks covered with rubber at its end. Originally a ritual instrument, they were also beaten to call members of special restricted societies to meetings and were a symbol of wealth, prestige, and influence.
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Sale!
$375.00 Original price was: $375.00.$284.75Current price is: $284.75.
This rug was made in China for Vajrayana/Tibetan Buddhists who were taught this form of Buddhism by Tibetan monks invited there to teach Tibetan Buddhism. Rugs like this were made both for domestic Chinese use and for export to Tibet. Made from wool and natural dyes, this fringed small square has a cotton foundation and…
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Sale!
$485.00 Original price was: $485.00.$395.00Current price is: $395.00.
The Song dynasty (960–1279) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion during this dynasty produced government, public and religious buildings and tombs with walls decorated with earthenware unglazed mold-made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in the deceased’s afterlife…
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Sale!
$110.00 Original price was: $110.00.$0.00Current price is: $0.00.
H: 7.625″ W: 6.125″ D: 3.375″ | FREE SHIPPING within continental u.s.!
Most jauk keras (strong, scary) masks of a giant are often red or orange to reinforce a volatile dance with jerky movements. This jauk manis (good, sweet) mask dance is a more controlled, regulated and enacted with more calm and human movements. Personally collected in Bali in the 1970s, it is in excellent condition with expected minor scratches and paint losses.
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$165.00
Influenced by Islam for centuries, Javanese theater in Indonesia is stylized, didactic and full of central characters said to be cultural and historic icons of morality. Mask drama theater (Topeng Wayang) in Java is dominated by the conservative central Javanese palace courts (kraton) of Surakarta, Solo and Jogjakarta (Yogyakarta) which have long supported mask makers,…
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Sale!
$625.00 Original price was: $625.00.$395.00Current price is: $395.00.
H: W: D: | CALL 213-568-3030 OR EMAIL [email protected] FOR SHIPPING.
Xiwangmu is the most important and first female deity in the Taoist pantheon, identified by a single phoenix in her headdress. This unique antique carving is a puppet head or an attachment to a larger figure where her headdress has three phoenixes instead of her iconic single phoenix. Beautifully carved with a rich patina, it is mounted on a lucite stand.
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$1,750.00
This rare, vintage spirit mask is from Timor in Indonesia. Their animism is characterized by ritual exchanges between individuals or social groups with ancestral and fertility spirits having a close reciprocal link between the deceased and the secular world as ancestors require sustenance, respect and attention (i.e. offerings), while humans seek advice, good fortune, health…
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Sale!
$195.00 Original price was: $195.00.$135.00Current price is: $135.00.
Ht: 8.75″ D: 4″ D: 3.125″ | FREE SHIPPING within Continental U.S.!
This delightful doll mounted on a frosted acrylic stand is dressed as a bearded official wearing a traditional ‘spread-wing” official’s hat. Originally mounted on a wood stick seen under his attire, he wears a dark blue and gold robe with a loose black, red and silver official’s belt and boots. Although dressed as a Chinese official, he is clearly an entertainer. He holds a set of paper clappers (Kuaiban)– meaning “fast boards,” a two-millennia old Chinese castanets-like instrument made of bamboo or wood slats tied together which entertainers rattle, shake, or clap together to produce a complementary sound or beat. This piece is in excellent condition with expected signs of wear and use in the clothing and minor paint losses.
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$790.00
This finely cast metalwork brass Shakyamuni Buddha reflects the conservative tradition of Nepalese sculpture which experienced few changes in proportion or decorative details over the past several hundred years. Originating stylistically from Gupta and later Pala Indian art, Nepalese artists created their unique style from the 6th-7th centuries that evolved to a distinctive physiognomy including…
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