Bali was originally an animist culture that became Hindu when it was incorporated into the Majapahit Empire in the 14th century. The Balinese are amazingly skillful artists, craftsmen and musicians. They create brilliant masks and woodcarvings. Visitors to Bali are surprised by the decorative and beautiful details they create using perishable materials such as fruit, banana leaves, rattan, rice, flowers, plants, and other readily available tropical materials to decorate temples, shrines, paths, rice fields and more. Balinese crafting skills have been handed down through generations for centuries and are taught to children at an early age. Their music and dance are world famous, very complicated and seamlessly accompanies a large variety of dramas, mask dances and other dance performances. Balinese dance masks called topeng (literally, pressed against the face) are considered to be “tenget”(endowed with magic). Every Balinese village has a collection of dance masks used in performances as offerings to please the gods and require prayers and rituals with a priest.
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This exceptional polychrome mask (topeng in Java, tapel in Bali) of Jatayu blends Balinese ethnic and folk-art with Hindu cultural traditions. Indonesia was part of the larger Hindu Majapahit Empire (1293-1527), is now a Muslim majority but Bali remains mostly Hindu. Balinese masks are often made from a single piece of local pulai wood whose…
Balinese masks (tapel in Balinese, topeng in Java), are said to have existed since the 10th century and often are danced in sacred Hindu stories with important moral, ethical, historical and philosophical ideas, This is especially true as many come from ancient Hindu texts like ancient epics the Ramayana, the Mahabharata and the Babad Dalem, the…
In Bali, Indonesia, Hindu villages have a sacred collection of woodcarvings in the form of Balinese masks (topeng) danced as offerings to the gods with a gamelan percussion orchestra. Balinese dance masks are endowed with magic (tenget) ), especially. the 2 central to Balinese mythology, culture and their past of animism:Â Rangda and Barong. Barong…
Balinese carvings and masks are ethnic folk art and a blend of Hinduism and its initial animism. Most masks made in Bali are from pulai wood that rarely cracks and is easier to carve. As it is not native to Lombok, carvers there use a variety of woods some of which were dense with others light….
Most jauk keras (strong, scary) masks of a giant are often red or orange to reinforce a volatile dance with jerky movements. This jauk manis (good, sweet) mask dance is a more controlled, regulated and enacted with more calm and human movements. Personally collected in Bali in the 1970s, it is in excellent condition with expected minor scratches and paint losses.
This rare vintage carving was likely made for home shrine or small rice field temple dedicated to Dewi Sri, the Balinese Goddess of Rice. Likely part of a larger decorative scheme, she is presented as a beautiful young woman wearing an elaborate headdress and a rich garment with arm and wristbands and an intricate neck…
This Dalem is a traditional folk-art and ethnic mask (topeng) from Bali made from pulai wood of a Hindu king (Dalem). He stares directly at the viewer while his high cheeks help express his poise and the ability to remain cool in a crisis. This is a fine example of a gifted carver able to…
This beautiful carving is too large to be a traditional dance mask, but is still a wonderful and fine folk art creation by an amazingly talented artisan. When it was collected in the 1970s, it was identified by the Balinese seller as Dayu or Dahyu, a high-caste Brahmana woman from the first Balinese caste. She…
This very fine and very beautiful vintage woodcarving of Dewi Sri , Devi Sri or Sridevi in Java, the Balinese Hindu goddess of rice and prosperity, is in excellent condition considering it is a much used vintage piece. Personally collected in Bali in the 1970s, it reflects the offerings made to Dewi Sri placed in the rice fields to protect the rice harvest. She is depicted here as a young, attractive and fertile woman wearing a striking, highly detailed and decorative headdress similar to those worn in Balinese dances leaving her upper forehead bare and framing her oval face with high curved eyebrows, wide-open eyes and beautiful pursed lips. With its flat back it can be mounted on a wall.
This ethnic and folk-art Bali legendary court minister (topeng patih) is performed in a special mask dance named Topeng Panjegan, as only one dancer interprets five different characters wearing full face masks preventing speech. Patih manis (Sweet Minister) is often the first solo dance after a gamelan orchestra introduction, and this patih keras (strong minister)…
All ethnic mask (topeng) dances in Bali are accompanied with music from a gamelan percussion orchestra as are dramas and other entertainments considered as offerings to honor, please and attract the favor of the gods and ancestral spirits. In the west dancers put on masks to pretend they are someone else. Balinese dancers become the…
There are two traditional Balinese masks of the king’s prime minister (topeng patih). Both are refined, well-bred warriors from the second caste holding a prestigious position, and, like all dance masks, they are accompanied by a gamelan. This mask is a patih keras (strong minister) which is usually red or orange symbolizing a tough, intense…
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