Showing 37–47 of 47 results
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$595.00
H: 9.75″ W: 5″ D: 4.5″ | FREE SHIPPING!
This enchanting carving depicts Nanhai Guanyin in her Cave on Mount Putuo seated in lalitsana, below a symbolic arch of draped moss with bright pigmentation and considerable gilt. Nanhai Guanyin was massively popular during the Ming/Qing dynasties and provincial wood images were made home altars throughout China. She holds scrolls representing the dharma and sutras, behind her is a vial with the tears of her humanity and parrot, her constant companion. Small Nanhai images with all these symbols in this condition are very rare.
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$575.00
H: 13” W: 5” D: 4.875” | FREE SHIPPING!
The Taoist god Zhenwu, the Perfected Warrior, is one of the most revered Chinese Taoist deities venerated for his ability to heal as well as to protect his country and the emperor. In this fine provincial piece he is humbly presented with a plain robe with an official’s belt wrapped around his back and over his ample stomach which more resembles a Chinese official than a deified warrior. His face has well-defined features including the eyes and lips set in a benevolent slight smile. It was painted in polychrome and some of the original black, yellow, and red paint can be seen on the bottom.
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$595.00
H: 12” W: 5.625” D: 4” | FREE SHIPPING!
This charming and rare provincial carving represents the Emperor Zhenwu known as True Warrior or Perfected Warrior who is one of the most revered Chinese Taoist figures, venerated for his military skill and his ability to heal and protect his country. Although he generally sits on a throne with a snake under his right foot and a tortoise under his left, here his left foot rests on the tortoise’s back entwined by a snake. Covered in gilt, he wears a plain official’s robe rather than military garb, and holds a jade belt, a portrayal often mistaken as a simple official. His long black flows down his back, covering and surrounding the rear cavity.
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$295.00
H: 12.7” W: 3.375” D: 3”| FREE SHIPPING!
Images like this were commissioned by families to honor departed ancestors, and this family seems to have requested an amplified tribute by posing him with characteristics of Guandi, the god of war, or maybe it is Guandi very liberally depicted by a provincial artist. He sits on a high backless chair, hands on knees, one holding a small tael and the other poised to hold a sword, wearing military maille at the chest and knees, also used in depictions of Guandi. The calligraphy on the base is the name Wu (last) Fa Tian (first), the ancestor to whom the statue was dedicated.
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$750.00
H: 12.375” W: 4.875” D: 3.625” | FREE SHIPPING
This merry pair of Tudi Gong, the Earth God with his wife Tudi Po are portrayed as very endearing, jolly and approachable deities who probably were placed on a home shrine in a rural agrarian area. They are dressed as lower status civilian officials in elaborate but earthy robes in vibrant hues – he with a mandarin square of a bird and she with a stylized phoenix on her hat and sit in officials poses on backless chairs with a decorative pedestals. Just being in their presence makes you want to smile and share their happiness.
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$625.00
H: 8.25″ W: 3.125″ D: 2.25″ | FREE SHIPPING!
This Kitchen God and his Wife is posed as streamlined virtual mirror-images and fashioned with a general quality relying on paint rather than deep carving for details. They sit on backless chairs on a plinth, with simplified gold officials’ robes with long color sashes, and well-carved black and gilt head gear. The wife’s face is smooth, generalized and the male face has a more deeply carved surface and painted highlights.
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$885.00
H: 10.25″ W: 7.5″ D: 3.75 ” | freeshipping in continental u.s.!
This extraordinary rare and delicately rendered rural carving is a female bodhisattva possibly Guanyin seated on a lotus throne atop an ox. Beautifully highlighted in vibrant gold and adorned with intricate designs on the lotus petals and ox’s saddle coverings, this statue shows how the concept of a bodhisattva was adapted to the deification of “draft animals” (beasts of burden) who were integral to rural daily and agricultural activities in Chinese Popular Religion, Buddhism and Taoism beliefs.
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$695.00
Ht: 9.5″ W: 4.5″ D: 3.75″ FREE SHIPPING!
This delicately carved home altar figure is Guanyin represented as gender neutral in meditation on a lotus throne. Her humble demeanor, modest robes and absence of stylized decorative details indicate it was carved by a provincial artisan, and its simple elegance exemplifies the best of provincial Ming and Qing carvings. She is a tranquil figure with simple, soft, and beautifully rendered facial details with almond shaped eyes cast down in serene composure wearing a five-lobed crown symbolically representing the five Dyhani Buddhas and reflecting Vajrayana Tantric influence.
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$1,375.00
SOLD H: 23.25″ W: 9.25″ D: 6.25″
This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar. Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.
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$1,195.00
H: 17.25” W: 9” D: 5” | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030
This remarkable spiritual work combines characteristics of provincially rendered carvings with imperially sanctioned images of Nanhai Guanyin. She sits in meditation on a backless throne on a stylized rocky outcrop flanked by twisting vertical structures holding her vial and white parrot. Her half-closed eyes glance down serenely under painted arched eyebrows. She wears an arched crown over hair looped over her ears and down her shoulders and flowing gold robes bordered in red in contrast to the flesh tones of the face, chest, and hands. Much of the pigmentation and gilt on this artfully rendered image remains. Surviving depictions of her with the vial and the filial parrot in good condition are relatively rare.
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$1,375.00
SOLD | H: 23.25″ W: 9.25″ D: 6.5″
This Queen Mother of the West, the highest ranking female Taoist deity was probably displayed as a pair along a statue of Guanyin, the most significant Buddhism female (Guanyin on a Lotus Pedestal (16206B) highlighting the importance and similarity of these revered female images Like the Guanyin, the Queen Mother’s delicately carved face has half closed eyes, serene composure mouth with a hint of a smile, which is more Buddhist than Taoist. Her headdress, centered by her iconic phoenix, rests under a hood extending to her shoulders and back. She wears a high collared three-layered Taoist robe, her hands covered by a ritual cloth.
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