Showing 97–107 of 107 results
This is Kebo Taruna mask a powerful historical Balinese minister (patih) from the 14th century. Considered a folk-art, Hindu-cultural-and-ritual-art, ethnic art and offerings to the gods, masks are danced in a historical drama with the music of a percussion orchestra (gamelan). Balinese-masks are carved using a light durable wood called pulai that enhances pigments and…
This Chinese Republic Period delicate porcelain figurine holds a rose at her heart in her right snow white hand, her left arm covered by her shawl resting on a waist-high decorative vase with an opening to hold incense (joss) sticks. Her shawl drapes over her shoulders and lower garment with floral motifs extending to the beaded belt at her waist. The sweet facial expression with slightly smiling bowed lips is framed by her piled hair looped in a chignon over each ear. Given her luxurious garments and accessories, she is an aristocratic woman. The rose was often used on porcelains during this period, representing eternal spring.
Nagaland conch shell ear covers are worn by men and attached to their pierced ears through a hole in the shell using thin natural fiber strings with glass, wood or bamboo bead stoppers. They are usually decorated with one of two stippled (engraved, marked with black dots) images: an abstraction of curved buffalo horns with…
Nagaland conch shell ear covers are worn by men and attached to their pierced ears through a hole in the shell using thin natural fiber strings with glass, wood or bamboo bead stoppers. They are usually decorated with one of two stippled (engraved, marked with black dots) images: an abstraction of curved buffalo horns with…
Nagaland conch shell ear covers are worn by men and attached to their pierced ears through a hole in the shell using thin natural fiber strings with glass, wood or bamboo bead stoppers. They are usually decorated with one of two stippled (engraved, marked with black dots) images: an abstraction of curved buffalo horns with…
This rare folk art Rangda mask was made on the island of Lombok, Indonesia by ethnic Balinese Hindu craftsman. Primarily Muslim, a Balinese Hindu minority ruled the island from 1750-1895 and Hindu temples (pura) have been centers for Balinese activities since the 17th century. Balinese girls are encouraged to “dance with their hands” and formal…
Earthenware terracotta pottery has played a significant role in the cultural, religious and artistic traditions of India for centuries. Indian terracotta images are considered spiritual, mystical and auspicious as Hindus believe terracotta incorporates the five natural elements of air, fire, earth, water and metal. Made with a bivalve mould that is hand luted and hand…
Woven from strands of raffia palm leaves, this vintage Kuba cloth reflects the traditional fabric traditions of the Kuba people in the Democratic Republic of the Congo. It is a typically bordered square with rough textural surfaces interspersed with repeated geometric patterns and embellished with sophisticated embroidered, applique and patchwork linear designs of interlocking meandering patterns of vegetable dye shades of dark brown and ivory in a natural flat-weave pattern framed with tufted-cut pile raffia and applique.
Woven from strands of raffia palm leaves, this vintage Kuba cloth reflects the traditional fabric traditions of the Kuba people in the Democratic Republic of the Congo. It is a typically bordered square with rough textural surfaces interspersed with repeated geometric patterns and embellished with sophisticated embroidered, applique and patchwork linear designs of interlocking meandering patterns of vegetable dye shades of dark brown and ivory in a natural flat-weave pattern framed with tufted-cut pile raffia and applique.
This finely carved Ibeji has distinctive Yoruba features. The elongated head is narrow, has full lips, thick eyelids, incised lashes, flat prominent ears, a high stylized coiffure and scarifications. The strong stance with hands on hips, massive legs and arms are visible signs of fertility and power. The elongated head is where one’s spirit, intelligence and the seat of power lie. This vintage statue is finely carved with a smooth patina.
This Nigerian Ibeji reflects the distinctive Yoruba artistic and cultural conventions to honor deceased twin(s) with carved images to house their spirits and souls. His oversized elongated head houses his spirit, intelligence and divine power. His distinguishing features are his necklace with triangular pendants and remarkably high thick sandals that make him appear taller. This vintage statue is finely carved with a smooth patina.
End of content
End of content