Showing 337–348 of 409 results
Most jauk keras (strong, scary) masks of a giant are often red or orange to reinforce a volatile dance with jerky movements. This jauk manis (good, sweet) mask dance is a more controlled, regulated and enacted with more calm and human movements.
This mid 20th century Buddha Shakyamuni in Earth Witnessing position is carved in rural Lao style. Covered with gilt, the small rustic and simply carved image follows Lao artistic canons for depicting a Buddha: a curved hairline and high arched eyebrows that meet at the bridge of the nose, distinct hair curls, long ears, and a flame-shaped radiance emerging from his ushnisha. Its very large base is as tall and wide as the image, reflecting Laotian beliefs that a high pedestal reflects a deep respect for the Buddha. A base has been added for display purposes. Authentic old Lao images, even small personal ones like this, are difficult to find.
Influenced by Islam for centuries, Javanese theater in Indonesia is stylized, didactic and full of central characters said to be cultural and historic icons of morality. Mask drama theater (Topeng Wayang) in Java is dominated by the conservative central Javanese palace courts (kraton) of Surakarta, Solo and Jogjakarta (Yogyakarta) which have long supported mask makers,…
This outstanding delicately antique carving is Nanhai Guanyin, the Bodhisattva of Compassion, seated on a rocky outcrop covered with a cloth, a reference to her home in a cave on the island of Putuo in the South China Sea. Other than the Buddha, she is the most revered deity in Mahayana Buddhism and one of…
Chinese Republic ceramic parrots are commonly depiction as this one perched on an open rocky base. Porcelain parrots were produced for the domestic and export markets and sometimes sold in pairs leading some to believe they, like pairs of fish, symbolized the love and fidelity of married couples. This one has vivid polychrome colors, large eyes and stylized wings. This piece is in excellent condition.
Framed Acrylic on Archival Board
This radiant painting displays Lark Pilinsky’s fascination with spring, the season of rebirth and regeneration made by applying paint from the tube and scratching it across the canvas.
Small Framed Acrylic Painting on Wood Panel
This small spirited painting is from Lark Pilinsky’s California Shores series which celebrates the power and energy of nature in the convergence of sky, ocean, land and sun.
Collage of Acrylic with Mixed Media of Found Objects
This vibrant collage was inspired by a European concert Lark Pilinsky attended with her husband, where the violin player smashed his instrument on the stage, possibly imitating Pete Townsend, lead Guitarist for The Who. This work draws directly from her love of these elevated musical experiences.
This charming oil lamp is decorated with auspicious symbols: Fish symbolize harmony, marital happiness and double fish mean “may there be abundance.” The oil cup is a lotus seed with a lotus leaf, symbols of a harmonious and fruitful marriage and also mean “the continuous birth of sons.”
This work conveys a dramatic sense of motion, using a Chinese brush and whirls of mineral paint to show the inner turbulence and unrest of both the universe and mankind.
Acrylic and Oil On Canvas
This dynamic painting is part of Lark Pilinsky’s Portal Series in which a portal represents an escape from the often grueling routine and challenges of everyday life into an uplifting spiritual realm. The passage is a solitary unexpected experience that “interrupts the rules of everyday life and keeps us guessing at what exciting event will be next.”
This striking painting is an homage to Soviet Armenian film director Sergei Parajanov, one of the great filmmakers of the 20th century. Here Anush’s spiritualized representation depicts his virtuous life, with angel wings ascending to the heavens in an aura bathed in glowing light.
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