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Small solid clay earthenware terracotta figures have been found in many Majapahit period sites and were finished with carved or incised decorations. The powerful Majapahit Empire spanning the 13th-16th centuries was Hinduism based, centered on the island of Java and extended from present-day Indonesia to Singapore, Malaysia, Brunei, Southern-Thailand, and the Philippines. Trowulan was the…
This small vibrant carpet square with fringed edges can be used for meditation to sit on, an accent piece or hung on a wall. Made from wool and natural dyes, it has a cotton foundation and double weft with a medium wool pile and fine geometric designs. Meander designs and geometric motifs surround the center…
Wing or ear cups (yushang), a term that describes its side flange-like additions to its ovoid body, appeared as early as the Zhou dynasty (1046-256 BCE) made in lacquer and later from a variety of materials. Lacquerware cups were used as dining vessels used for rituals and ceremonies contain fragrances, food or wine; and the…
Hu vessels, first made in the Shang Dynasty is an ancient-pottery wine vessel whose body swells in the middle, flares into a narrow neck and often has a raised circular foot. Very popular during the Han dynasty, it was used as an ancestral tomb burial object (mingqi) to hold liquids and elixirs for the deceased…
Mingqi are ancient earthenware pottery items usually made using a bivalve mould and covered with a lead glaze that fired to a dark green. The lead in the glaze often combined with tomb dampness for centuries creating a chemical reaction changing its coloring into a lustrous and iridescent green seen here. Han mingqi were ancestral…
This extremely rare late Ming/early Qing dynasty antique-Chinese-wood-carving carving is divided in two parts and is significant for its juxtaposition of images as well as its unique iconography. The top is one of the Taoist officials in typical officials-attire: an official’s hat, a tiered robe with a red sash extending to the tops of the…
Civilian Chinese-officials in dynastic China were awarded much desired positions after passing rigorous exams, as the selected few were assured high status positions, a comfortable living and retirement benefits. Families did their Confucian duty portraying their ancestor-figures in paintings and carvings and memorializing and honoring them by maintaining their filial piety by displaying their images…
Artisans who were commissioned by family members to carve an ancestor figure they often emphasized positive personal features as well as their high status (or wish to enhance it). So, when they were placed on the family home altar with Buddhist, Taoist, Chinese Popular religious deities, they appeared more important and esteemed. This ancestor was…
This fine Chinese wood carving is a seated ancestor figure portrayed as a Chinese official. By the 10th century, the Chinese bureaucracy was run by a class of scholarly elite officials who passed a variety of tough examinations in history, philosophy and the Confucian teachings of statecraft and ethics. Passing made them eligible for positions…
Over the centuries, worship of Buddhist and Taoist deities, ancestor figures, official imperial images, and “popular gods” has been an intricate part of the fabric of Chinese life. This image was not placed on a home altar as it was not consecrated. The intricacy, fineness, selection of materials, and overall quality of the images was…
Guandi lived during the latter part of the Han Dynasty and is the best known and most revered Chinese military historical hero. He was canonized in 1504 as Guan Di, the Taoist God of War and China’s Protector. According to Keith Stevens, he is “all things to all men, not only prayed to for protection…
Guandi lived during the latter Han Dynasty and is one of China’s best known Taoist-Deities and its most revered military and historical hero canonized in 1504 as Guan Di, the Taoist God of War and Protector of China. According to Keith Stevens, he is “all things to all men, not only prayed to for protection…
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