Showing 13–24 of 45 results
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$235.00
H: 7.25 ” W: 5 ” D: 5 ” | FREE SHIPPING!
This five-sided Shiwan stoneware pillow with slanted top, open bottom, vibrant glazed surface, and etched coin and diamond design was used for smoking opium as the cool shell cradled the users’ heads and necks and offset the warmth of smoking and the hollow inside stored valuables. We have another which can be paired with it. If a candle is placed inside it emits an amazing shadowy form of a coin, which appealed to those in an opium state.
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$215.00
H: 4.25” Dia: 5″ | FREE SHIPPING
This finely designed 14/15th century globular stoneware box resting on a short foot has an olive-brown glazed lotus bud handle surrounded by radiating radiating olive-brown and lightly glazed petals above a band of geometric shapes. The body is lyrically ornamented with an intricate scroll of white, light glazed and incised colored branches and florals on an olive-brown glaze background. Its fine appearance is a result of the unusual lovely olive-brown surface with a glaze applied sparsely in some areas and thicker in others to offset the vegetal scrolls.
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$195.00
Ht: 2.75” W: 1.375” D: 1.125” | FREE SHIPPING!
This terracotta head was crafted during the Majapahit Empire in Java and was either part of a bas-relief frieze or made as a freestanding figurine. Most figures found are small decapitated heads with no bodies, and it is very rare to find a complete figure with a naturalistic facial expression. As with many heads, this one displays Javanese facial features, hairstyles and ear ornamentation typical of the period. It has a naturalistic facial expression and wears large round coiled earrings, possibly suggesting it represented someone of the upper classes. It is in very good condition given its age and use and is mounted on a metal stand. This item pairs with Majapahit Miniature Terracotta 1138.
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$195.00
Ht: 4” W: 1.5” D: 1.75” | FREE SHIPPING!
This terracotta head was crafted during the Majapahit Empire in Java and was either part of a Hindu bas-relief frieze or made as a freestanding figurine. Most figures found are small decapitated heads with no bodies, and it is very rare to find a complete figure with a naturalistic facial expression. As with many heads, this one displays Javanese facial features, hairstyles and ear ornamentation typical of the period. It has a naturalistic facial expression and wears large round coiled earrings, possibly suggesting it represented someone of the upper classes. It is in very good condition given its age and use and is mounted on a metal stand. This items pairs with Majapahit Terracotta Head 1137.
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$395.00
H: 7.375” W: 2.75” D: 2.5” | FREE SHIPPING!
A group of 12 zodiac figures as mingqi sometimes accompanied the wealthy deceased in their tomb. This Ming dynasty earthenware figurine stands on a low circular base and wears an official’s hat and long flowing robes. It is difficult to identify the specific animal held here but it may be a rabbit, small dog or baby pig. The detailed figure is hollow and partially mould-made and unlike glazed mingqi, was covered with a white slip and painted using black and white pigments which are mostly extant.
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$685.00
H: 7.375″ W: 4.375″ D: 3.75″ | FREE SHIPPING!
Often ancestral figures were portrayed sitting in horseshoe chairs to reflect the high status of the figure they were portraying. As many earthenware mingqi, this well-modeled chair has a liberally applied thick green glaze resulting in expected drips around the stretchers. The seat is decorated with a yellow glaze imitating caning and the decorative carved design on the splat also has a yellow glaze and a carved decorative “clocklike” circular design. The bottom of the seat and legs are not glazed, as is usual. It is in very good condition with expected minor chips and minor glaze pitting and deterioration consistent with its age and long burial. It pairs perfectly with item 3330 and together would add to a fine collection of Chinese ceramics.
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$685.00
H: 7.375″ W: 4.375″ D: 3.75″ | FREE SHIPPING
This charming miniature Ming dynasty ceramic horseshoe pottery chair is an accurate model of an impressive Ming chair that would have been made of a beautifully grained hardwood and constructed with a continuous horseshoe shaped top rail and a caned seat. The curved splat of a wood chair might have either carved or pierced motifs or medallions and straight or curved stretchers joining the legs in pairs at the same height on each side. Often ancestral carved figures were portrayed sitting in horseshoe chairs to reflect the high status of the figure they were portraying. This ceramic mingqi has a thick green glaze throughout which was liberally applied normal usual drips around the stretchers. The seat is decorated with a yellow glaze in imitation of caning as is the decorative carved design on the splat, but the bottoms of both the seat and legs are unglazed. The rail ends splay to the right and left for hand comfort and decorative effect are traditionally found in Ming Dynasty hardwood horseshoe-shaped chairs. It is in very good condition with minor chips and paint losses and fading due to its being buried underground in a tomb for centuries. It would be a fine addition to a collection of antique ceramics.
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$785.00
H: 13.25″ W: 4.75″ D: 4.75 ” | Call 213-568-3030 for shipping cost
This pair of beautiful antique apple green gazed stoneware Shiwan candle holders are part of a 5-piece home altar set. Made with rounded, elegant soft corners and having intricate designs in relief against a smooth background, this graceful pair complements the entire altar presentation while creating its own appealing well-proportioned silhouettes.
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$825.00
H: 11.75″ W: 4.75 ” D: 4.75 ” | Call 213-568-3030 for shipping cost
Made with rounded, elegant, soft corners and having intricate designs in relief against a smooth background, this striking and graceful pair of vases will complement the overall presentation of any home They create an appealing, well-proportioned silhouette. A vase, actual or as an image, is commonly seen in Chinese homes as a symbol of peace and safety and the fulfillment of all of one’s wishes. Vase pairs can also used as part of a 5pc altar set when their decorative and/or structural designs are in sync with the other components.
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$235.00
H: 4.875″ W: 4.5″ D: 3.25 ” | FREE SHIPPING!
This elegantly shaped and beautiful high-fired antique porcelain ewer was decorated on its outside with a saffron-colored glaze called a coral red glaze. The sides have a white glazed quatrefoil panel with hand-painted multi-colored floral designs on a white background within a gold frame interspersed among sinuous gold leaf vines across the body and neck and a white glaze covers the inside and bottom. Its beauty is enhanced with its graceful spout, colorful white and gold panel beautiful.
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$850.00
H: 10.25” W: 9.5” D: 4.5” | FREE SHIPPING
Known as the Laughing, Happy, or Fat Buddha, Budai is regarded as a deity of contentment and plenty. Like most Early Chinese Republic porcelains this piece is hand decorated in famille rose enamels with vivid blue, red, and green pigments portrayed as a stout, smiling, bald monk in robes with a large, exposed pot belly surrounded by five children. Since the stomach is considered the seat of the soul in Chinese beliefs, it demonstrates his open heartedness. His wide smile attracts the children surrounding his body indicating his regard for them and his joy when they encircle him and well as the belief he can bequeath families with children.
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$135.00
H: 5” W: 5.25” D: 4.5” | FREE SHIPPING!
Utilitarian ceramics like this were used in home kitchens and restaurants to hold oil, sauces, soy or other liquids. This spouted blue and white porcelain jar has four loops, also called lugs, so a natural fiber such as rattan could be threaded to either secure a top create a way to hang it to a peg. Sealing the top was very useful if the jars contained liquid and needed to be transported. The piece is decorated in a free and expressive manner with a charming impression of a country scene of a building in a landscape surrounded by tall trees. The cobalt is thick and dark in some areas of the foliage and applied with a thin, sparing and light brush elsewhere.
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