Showing 133–144 of 267 results
Taoist images were represented as scholars, sages, heroes, deities, officials and priests. When these images are taken out of context they are very difficult to identify so we describe them in generic terms as a Taoist Officials, Priests or Deities. We identify this image an Official since he holds a hu-tablet associated with officials and…
Taoist images were represented as scholars, sages, heroes, deities, officials and priests. When these images are taken out of context they are difficult to identify so we describe them in generic terms. Seated on a backless chair wearing long flowing officials-robes with deep folds, we use the terms officials/priests for this image, since he his…
During the Ming and Qing dynasties small images of Taoist officials and priests were often shown holding a cup of the elixir of life to place on home altars along with ancestor figures, house gods and other religious images to bring blessings (fu) to the household. By commissioning figures like this artful carving, families honored their ancestors and met their filial piety duties. Mounted on an acrylic stand.
When ancestral images are taken out of context they are very difficult to identify so we describe them in generic terms as a Chinese Officials or Taoist Officials. This antique-Chinese-wood-carving may represent the noted historical figure the principal regent Dorgon of the first Qing Emperor Shunzhi who ruled from 1643-1650 as a”quasi” emperor based on…
This fine antique Chinese wood carving was likely placed in a clan shrine or home altar with other religious images, ancestor figures or folk heroes reflecting the Chinese syncretic tradition that adhered to multiple spiritual and belief systems. Although it is difficult to identify specific figures, this image is likely a Taoist priest in officials…
Ancestor worship has been practiced throughout China using carved wood figures of deities, monks, priests and ancestor figures on home altars. In recent years there has been a resurgence of ancestor worship, especially in local Chinese communities practices by Buddhists, Taoists, and Popular Religion followers. Carvings of Taoist priests called daoshi often hold Taoist symbols…
The Queen Mother of the West (Xiwangmu) is the most significant of the female Taoist deities and is viewed as having magical powers to controls life, death, creation and destruction and determines the lifespan of every living being. She lives with her husband the Jade Emperor in Kunlun Mountain where she attends her famous garden…
Seated in lalitsana, the position of royal ease, this delicate White Robed Guanyin is traditionally portrayed as a humble and modest deity, although she has a gilt lacquer surface. Her white hood is draped over a stylized image of Amitabha Buddha to whom she is a companion in Pure Land Buddhism, the most widespread Buddhist sect.
This charming White Hooded Guanyin sits in lalitsana, the position of royal ease with her right leg bent and left flat on the base. This provincial carving depicts her as a humble figure with and a plain hood leaning slightly forward, with a gentle grin, half closed eyes and a sweet smile. She holds a scroll symbolizing the 8 Buddhist sutras where she is mentioned including the Lotus Sutra Chapter 25.
18 original Lohans were the major disciples of Shakyamuni Buddha whom he, at his death bed, entrusted to protect and promulgate Buddhist teachings. Over centuries, their numbers increased to over 500 enlightened beings recognized for their courage and supernatural powers. In Mahayana Buddhism, Lohans represent the ideal toward which Buddhist devotees should strive as they…
Lao carved Buddha statues are renowned for their delicacy and refinement. This elegant antique Buddha is depicted in the “Calling for Rain” mudra found only in Laos with his half-closed gazing downward in meditation, elegant gestures, lyrical flaring robes and graceful curves of the body reflecting the Buddha’s gentleness. The curvature, proportions and oversized head indicate the perfection, wisdom and compassion of the “Enlightened One. He stands on a multi-tiered circular and waisted base. Carved Laotian images as old and elegant as this are rare.
This red lacquer and gilt covered image made for a home altar is a Pure Land Buddhist statue. Although it is a provincial image it has an elaborate headdress and decorative necklace of imperially sanctioned Guanyin images. Her 5-lobed crown is centered with radiating bars symbolizing Amitabha Buddha and his aureole that represents the flames of Buddhism.
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