Showing 61–72 of 239 results
Ancestor figure is finely depicted as loved family member, individualized pudgy joyful smiling face. Displays strength and status by his demeanor, composure, portly size, and elaborate horseshoe chair. On lucite stand, a wonderful accessory for a home or business.
Finely carved Kitchen God and his wife, mirror images on backless chairs with multi-sided pedestals reflecting reverent and responsibility to protect the home. Naturally darkened lacquer, soft patina. Male with consecration covering, female open with contents. Unique house warming/wedding gift.
Husband and wife Kitchen Gods are near mirror images with similar layered gold officials’ robes, clasped hands covered in ritual cloth. Excellent condition, fine patinas. Consecration script remaining in wife’s cavity but not in husband’s.
Finely detailed and carved from dense wood, this Kitchen God and his Wife monitor the members of the home from their perch above the stove. On Chinese New Year Zao Shen reports to the Jade Emperor in Heaven and a positive report bringsblessings and good fortune, while and unfavorable one brings misfortune. Family members often smear honey on his mouth to sweeten the report. Near mirror images they wear layered gold officials’ robes with decorative sashes and symbolically hold a hu tablet. They are in excellent condition and add positive chi and enhance feng shui. Kitchen Gods especially pairs are now rare and very collectible and make unique wedding and house gifts.
A kumkum container, also known as a sindor box is a small decorative holder for kumkum powder, a red or orange-red powder traditionally used in Hindu rituals and ceremonies. This container is brass with a foot with lotus leaves on the sides and floral patterns on the bottom and a decorative rim on the cup. These boxes are part of daily prayers (puja), festivals, weddings, and other auspicious occasions. The powder is used to apply a bindi – a forehead dot decoration associated with the third eye, representing wisdom and insight. While traditionally worn by women, and often signifying marriage, bindis are increasingly worn by men as well.
Antique bronze kumkum container use to hold tika power applied to women’s forehead during puja to preserve spiritual energy. andhold is as part of Hindu puja used for Hindu social and religious markings. Kumkum is dried and made into a paste combined with small amounts of slaked lime sometimes embellished with a few grains of rice that turns the turmeric reddish and is used to apply a tikka – a small dot applied on the forehead between the eyebrows. This spot is said to be the focal point of wisdom and concentration and is where the spiritual third eye is centered. Hindu’s believe this is the sixth of the body’s seven chakras or energy vortexes where an energy channel opens humans up to the spiritual and the divine. The tikka is said to prevent energy loss, preserve spiritual energy, and enhance concentration. Hindu religious gatherings and puja begin with the application of a tikka. Women from certain Hindu sects wear a tikka as a sign they are married,
Provincial Lohan meditating wearing monks robes associated with Lohans – hood, shoulder ring and cowl crossed at the neck but atypically decorated with raised curvilinear lacquer designs highlighted with gilt.
This brass oil lamp diya is decorated with an image on front and back of Lakshmi seated on a lotus, full-breasted and broad hipped, beneficently smiling and being lustrated (showered by water) by elephants, symbolizing rain clouds bringing water and life to the land and that unwavering effort to adhere to spiritual teachings and governed by wisdom and purity leads to both material and spiritual prosperity.
Superb, colorful and rare Buddha in teaching vitarka-mudra appears to float above cloud like swirls. Fine features, graceful body and exquisitely rendered drapery make this a truly striking statue. Given its size and masterful carving, it should be revered commensurate with its spirituality and artistry.
Large rare Mandalay Style antique Buddha head, red lacquer and gold leaf.Gentle, serene and compassionate expression, with downcast eye and sweetly smiling lips. Museum stand.
Large provincial Guanyin is natural and modest rather than idealized in relaxed lalitsana pose. Remarkable oversized crown centered with rustic Amitabha on a lotus with pointed aureole. This personalized depiction is a charming, innocent portrayal of a spiritual subject.
Javanese terracotta head part of bas-relief frieze from Majapahit Empire. Most unearthed figures were small decapitated heads with Javanese facial features, hairstyles, large ear ornamentations of upper classes. A great small piece of history.
Crafted during the Majapahit Empire in Java this rare head was part of a bas-relief frieze decapitated as part of religious offerings.
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