Showing 85–96 of 243 results
Nanhai Guanyin in her Cave in lalitsana, below draped moss arch holding a scrolls, next to vial of humanity’s tears and parrot, her constant companion. Small Nanhai images with these symbols are very rare.
Chinese Noa opera mask is likely a female zhengshen – a benevolent gods with kind and honest nature and gentle disposition -symbolizing the power of good to defeat evil. Age and heavy use
Ancestor statue emphasizing his status as an official holding up his belt of office with official’s hat and boots, worn only by those who could afford them. Faded inscriptions on the back of the chair. Mounted on Lucite stand.
Carved ancestor figure as an official sits on a backless chair with a decorative pedestal in official’s attire holding a long slender curved hu-tablet, all signs of his office and status. He is vibrantly painted in red, the color of fu, as a wish for prosperity and status.
This excellently carved ancestor civilian official with gilt highlights was commissioned to be place on a home altar for veneration and impress those who viewed it and to honor the venerated ancestor’s persistence, success, status and power.
Pair of oil lamps for good fortune with diamond shaped double lozenge meaning many treasures, and plum blossoms, symboling the Five Happinesses – wealth, health, longevity, peaceful death and love of virtue.
Rare and charming carved attendant pair to flank deities on circular pedestals presenting boxed offerings with ribbons as wish for longevity.
Regional Rattanakosin carving of a Thai celestial guardian or attendant originally placed on a home or small temple altar for protection and devotion. Stylized layered garment, intricate detailing and headdress signify his celestial and royal status.
Carved Mandalay style peacocks with outspread feathers like this were placed over entrances to protect religious and government buildings. The peacock was emblem of last Burmese Dynasty symbolizing the monarchy descending from the sun.
One of a pair of Tibetan antique folding traveling prayer/study table for monks or nomadic families to lay out sutras (scriptures), scrolls, books, other study materials. Decorated with painted florals and fruit offering bowl symbolizing flowering of enlightenment and opening of the heart.
Provincial carving with iconic phoenix headdress, hands in karana mudra to cast out demons, negative energy and purify spaces. Image was on home altar and consecrated with a sealed cover.
By making the Queen Mother larger than her horse and adorning it with decorative accessories – wide blanket, prominent head gear, double rowed harness, decorative medallion – this provincial artist emphasizes her power as Tao goddess of life, fertility and granting immortality.
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