Showing 109–120 of 226 results
Most antique Chinese outdoor garden stools were made in a drum or barrel shape using common ceramic designs like decorative fretwork, low relief decoration, simple pierced schemes, a variety of underglaze painted images, calligraphy and more. The upper border of the body of this beautiful stoneware garden stool is covered with four color bands that…
Wall pockets remain a very common decorative element in Asian homes. In China, they are used to hold chopsticks and flowers to bring good fortune to a space where the family gathers. This Shiwan stoneware pocket has 2 very auspicious symbols: a frog and a lotus that symbolize nurturing energy and transformation. With a hole in the back for hanging on a wall, it is great addition to enhance a kitchen’s coziness and feng shui and a wonderful wedding gift.
Decorative utilitarian Shiwan ware pieces are recognized for their fine modeling, vivid expression, and colorful apple-green and drip glazes. Chopsticks were commonly stored in wall pockets with a hole for mounting. Covered with auspicious symbols, they were often part of a bride’s dowry as “chopsticks” is a pun for “speedy arrival of sons.” It can hold utensils, dried flowers, and other objects and is a unique wedding gift.
Initially linked to the Big Dipper in Chinese mythology, Wen Chang is worshipped in the 3rd and 8th months as the God of several spheres: Literature, Books and Writing, Education, Learning and Examinations and is the patron saint of scholars. As one of the revered Taoist-deities, hero and one of the house-gods closely associated with…
During the Ming and Qing dynasties small images of Taoist officials and priests were often shown holding a cup of the elixir of life to place on home altars along with ancestor figures, house gods and other religious images to bring blessings (fu) to the household. By commissioning figures like this artful carving, families honored their ancestors and met their filial piety duties. Mounted on an acrylic stand.
This fine antique Chinese wood carving was likely placed in a clan shrine or home altar with other religious images, ancestor figures or folk heroes reflecting the Chinese syncretic tradition that adhered to multiple spiritual and belief systems. Although it is difficult to identify specific figures, this image is likely a Taoist priest in officials…
The Queen Mother of the West (Xiwangmu) is the most significant of the female Taoist deities and is viewed as having magical powers to controls life, death, creation and destruction and determines the lifespan of every living being. She lives with her husband the Jade Emperor in Kunlun Mountain where she attends her famous garden…
This elegant antique heddle-pulley carved from a single piece of Burmese teak is topped by a hamsa, a goose-like bird and a sacred Buddhist symbol of wisdom. Auspicious symbolic animal images are believed protect the weaver, assure quality weaving, and pleases the gods and spirits. It is wonderfully weathered from time and use with minor losses with a fine patina. Mounted on a black wood base, this heddle pulley pairs well with item number 11298A.
This 19th century Tuareg “king” manilla bracelet/anklet made from brass, copper and iron in the shape of horseshoe is a magnificent example of African metalwork composed of massive flat finials with 10 facets. Adorned with traditional raised finely detailed etched and hammered cross-hatched designs, diamond shapes, triangles and circles, this fine piece is excellent condition with appropriate signs of age and use and comes with a wood and metal stand.
This 18-19th century Tuareg manilla was fashioned using a sand mould in a traditional horseshoe shape with bulbous rounded faceted ends. decorated with hand hammered fine details which have faded from age and wear. Individual Tuareg tribes each use unique symbolic imagery and decorative motifs passed down for generations. It comes with a wood and metal stand.
This horseshoe-shaped manilla from the Mali and Niger region is decorated with hammered and incised embellishments, designs, and decorative motifs unique to individual Tuareg tribes that have been passed on for generations. It is divided into distinct sections, each with detailed traditional etched linear designs, circular cutouts, diamonds, grooves and terminating in large rounded knot finials incised with layered triangles designs. Bracelets/anklets of this massive size were never worn as jewelry but were used as currency and to represent status. The patina shows its age, long use, and wear. It comes with a wood and metal stand.
Tuareg wrist and ankle manillas made from sand moulds were usually shaped in a large C. Recognized for their unique etched designs, symbols, motifs and faceted knob ends, each is a one-of-a kind creation. This bracelet has massive finials with 12 facets containing detailed hand-etched and hammered designs including raised circles. It is in excellent condition with appropriate signs of age and use and comes with a wood and metal stand.
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