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This rare vintage carving was probably made for a home shrine or small rice field temple dedicated to Dewi Sri, the Balinese Goddess of Rice. The hole near the bottom indicates it may have been part of a larger decorative scheme.
This Tibetan mask shows the mastery of Tibetan carvers. It emphasizes the horse’s strength and alertness by cutting deeply around the large and widely separated eyes, raising the lids, creating black eyelash lash patterns as if the horse is moving and proving its strength and stamina. Its open mouth reinforces this and reveals a fine set of teeth. In excellent condition, it was personally collected in Nepal in the late 1970’s.
This very fine and very beautiful vintage woodcarving of Dewi Sri , Devi Sri or Sridevi in Java, the Balinese Hindu goddess of rice and prosperity, is in excellent condition considering it is a much used vintage piece. Personally collected in Bali in the 1970s, it reflects the offerings made to Dewi Sri placed in the rice fields to protect the rice harvest. She is depicted here as a young, attractive and fertile woman wearing a striking, highly detailed and decorative headdress similar to those worn in Balinese dances leaving her upper forehead bare and framing her oval face with high curved eyebrows, wide-open eyes and beautiful pursed lips. With its flat back it can be mounted on a wall.
Most jauk keras (stong, scary) masks of a giant are often red or orange to reinforce a volatile dance with jerky movements. This jauk manis (good, sweet) mask dance is a more controlled, regulated and enacted with more calm and human movements. Personally collected in Bali in the 1970s, it is in excellent condition with expected minor scratches and paint losses.
This traditional Patih (minister) Keras (hard, strong, forceful) Balinese mask is deeply carved, and his huge red lips symbolize a tough, intense, easy to anger but powerful man in a position of prestige. Exaggerated facial elements of large bulging eyes, a powerful stare, huge, bright red lips and a thick animal hair/hide mustache indicate his internal strength as a trusted minister carrying out his king’s wishes. This mask was personally collected in Bali in the 1970s and is in excellent condition with minor scratches and losses consistent with age.
This mask (Topeng Begul) reflects two themes in Javanese mask theater: it is comical, foolish and ludicrous with a silly bulbous clown nose and also a demon with animal teeth, fangs, bulging eyes and a stark black and white design. “Jatiguwi” is written on the inside of the mask identified by the Javanese merchant who sold it in the 1970s as the clown’s name that we were not able to confirm.
Topeng Dalem is a mask of an idealized, refined and upright model of a historical Hindu King and is usually a white mask, the color of purity. The dance presents actions and gestures validating the traits of a good king: grace, poise, dignity and refinement. This piece is well carved, balanced, in fine proportion and the crown, the triangular third eye and the animal hide and hair eyebrows and mustache are well integrated as is the mask’s pleasant smile. It is in very good condition with a wash applied as a patina to make the mask look older. It was personally collected in Bali in the 1970s.
A traditional Balinese mask, this is a refined and idealized model of a Hindu king (dalem) and is usually white, the color of purity. The mask and dance portrays the actions, traits and gestures of a good king having grace, poise, dignity and refinement. Well carved and balanced, it has fine proportions and the crown, animal hide/hair, eyebrows and mustache are well integrated to present a confident king. Personally collected in Bali in the 1970s, it is in very good condition with a wash applied as a patina to make it look older.
Dalem is an idealized and refined mask (topeng, tapel) of a model Hindu King from Bali and is usually white symbolizing purity. The mask and dance present actions, postures and gestures validating the traits of a good king: grace, poise, dignity and refinement. This piece is well carved, balanced and in fine proportion, and the crown and the animal hide and hair eyebrows and mustache are well integrated in portraying the king’s confidence. It is in very good condition with a wash applied as a the mask to make it look older. It was personally collected in Bali in the 1970s.
Click here for the blog Indonesian Dance Masks (Topeng): Spiritually Connecting the Community
This mask is patih keras, a strong king’s prime minister in orange symbolizing a tough, intense and powerful person reinforced by his large bulging eyes, powerful stare, red lips and full black moustache. Personally collected in Bali in the 1970s, this beautifully carved mask is in excellent condition with a wash applied on the back to make it look older.
This fine, deeply carved and painted Balinese mask is the king’s strong prime minister (patih keras), a position of prestige usually filled by warriors of the second Hindu (ksatrya) caste. The large bulging eyes increase the power of his stare and the outsized thick bright red lips symbolize his intensity. This mask was personally collected in Bali in the 1970s and is in excellent condition with minor hair loss on the eyebrows.
This fine vintage historical ethnic Balinese mask is Kebo Taruna. the powerful Balinese minister (patih) feared by Gaja Mada the brilliant Javanese “Elephant General” who brought the Indonesian Hindu Majapahit Empire to its peak and conquered Bali in 1343. His peculiar half-smile, forceful eyes and angular nose are carved to complement his intense expression, make it look more forceful and add energy to the mask. These features describe the minister’s power and confidence. Finely carved and embellished with animal hide and hair for his mustache and eyebrows, this mask is in excellent condition.
Click here for the blog Indonesian Dance Masks (Topeng): Spiritually Connecting the Community
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