In many world religions, home altars are spiritual tables on which sacred images, symbols or texts are placed and honored with offerings made for venerating deities and/or ancestors by family members that generally include light from candles or lamps, incense, flowers, food, and water. In Buddhism, home altars are physical spaces that support spiritual practice, encourage devotees to attain enlightenment and show gratitude to the Buddha for showing the way to enlightenment. Buddha and Buddhist deity statues and other spiritual symbols remind devotees of the qualities of Buddha’s wisdom and compassion and serve to inspire devotees to develop these qualities as they recall Buddha’s teachings.
Chinese Taoist and Popular Religion family home altars or shrines (Kam or Kung) honor ancestors, attract blessings and avert malevolent forces and influences. Ancestor worship is a family affair to communicate with and provide greetings and support to the deceased, engage in prayer, display filial piety and make offerings to ancestor statues and/or tablets. Taoist, Popular Religion and Buddhist deities maybe placed along with images of Taoist and Buddhist priests, deified local heroes and legends. Home altar statues are blessed in an eye-opening consecration ceremony performed by a Taoist or Buddhist priest or monk to imbue with them with chi and give them life. Offerings of candles, incense and foods are placed to attract blessings of fu which they augmented by placing furniture in certain locations and using propitious colors (red and gold attracts the most fu).
In Hinduism, the home altar is the most important part of a household where all family actions and decisions are made, special events are celebrated, and members gather to perform daily prayers (puja) to show reverence and devotion through prayer, supplication, songs, ceremonial worship and rituals. Hindu statues, images of deities who protect the family and engender good fortune, are placed there along with other ritual items of devotion.
Home altars are now viewed as spiritual, and often meditational spaces to celebrate one’s family. Along with spiritual icons or statues, they include photos of loved ones, well-loved mementos or trinkets, hand-written notes, or letters. Additional spiritual elements include candles, crystals, or incense.
Showing 37–48 of 73 results
Beautifully carved White Clad Guanyin sits in royal ease on a double-tiered base with as stylized lotus throne. It was consecrated for home altar use.
Unique and rare ancestor figure of a Manchy soldier in the round on a domed pedestal, holding a matchlock musket wearing a warrior’s hat knee-length military jacket and military boots.Closed consecration cavity.
This carving of the noted historical figure Dorgon, the principal regent of the first Qing Emperor Shunzhi who ruled from 1643-1650 as a”quasi” emperor based on the four-character inscription “Southern Holy Emperor” holding a hu tablet. A great piece for history buffs.
This exceptional carvig is one of the most significant ancestor figures in our collection. His attire, glass eyes and distinct facial features indicate a portrait of a wealthy powerful merchant who commands respect. Seated on Lucite base.
Elegant Guanyin in meditation, gilt covered with five-lobed crown. Sacred vial on her right and parrot on left. Guanyins statues with symbols in this condition are rare and impart a feeling of serenity to the environment around them.
Rare and beautiful provincial Songzi Guanyin is modest, compassionate and humble with lotus leaf crown, unadorned robe and pedestal with simple leaves. Her baby resembles the infant Buddha. Was probably in a temple setting or on a home altar of wealthy couple desiring a (male) baby.
Rare provincial image of Guanyin tenderly holding a young child’s hand is a rare representation of Songzi “Child-Giving Guanyin”. Consecrated with vibrant gilt and red surface in front and back.
Provincial carving of Zhenwu the Perfected Warrior, one of the most popular Taoist deities in the Ming/Qing dynasties, iconically shown standing on a snake and turtle, symbolizing those over whom he presides.
Delicately detailed and consecrated Guanyin in meditation on a backless throne, flowing braids, simple necklace, 3-part crown centered with Amitabha Buddha on lotus throne surrounded by a radiating aureole. Compassionate downcast eyes, serene contemplative expression, calm smile to enhance any surrounding. It was originaly placed on a home altar or shrine of a wealth devotee or and was consecrated by a Buddhist monk.l
Nanhai Guanyin in her Cave in lalitsana, below draped moss arch holding a scrolls, next to vial of humanity’s tears and parrot, her constant companion. Small Nanhai images with these symbols are very rare.
Rare and charming carved attendant pair to flank deities on circular pedestals presenting boxed offerings with ribbons as wish for longevity.
Copper alloy repoussé votive plaque of Vishnu surrounded with head and body aureoles. Symbols of his power as Universe’s Protector include a conch shell, his crown and lotus leaves symbolizing purity, truth, and unfolding of creation.
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