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This Tibetan Repoussé image presents various symbols of the Enlightenment of the Shakyamuni-Buddha. He sits within a trefoil arch on a lotus base (padmapitha) under the bodhi tree in bhumisparsha mudra (earth witnessing or hand touching position) symbolizing the moment of his enlightenment legs bent in (padmasana). The detailed trefoil arch surrounding the Buddha’s head…
Most Hindus have images of one or more murtis (gods and goddesses) on their home altar to help them in their daily prayers (puja), focus their attention and help visualize them. A murti is treated with the utmost respect, care and reverence but devotees never worship the objects and instead use them used only to…
Produced in Thai kilns in the 14th to 15th centuries, Sawankhalok glazed stoneware lidded bowls were distributed through southeast Asia along with a variety of larger and smaller items. Lidded bowls like this were used to store many things, especially spices, powders and cosmetics, betel nut chewing materials, and medicine. This bowl rests on a thick foot, has a lid with a brown lotus bud handle and covered with decorative panels of underglaze brown crosshatch and vegetal scrolls.
Produced in Thai kilns in the 14th to 15th centuries, Sawankhalok glazed stoneware lidded bowls were distributed through southeast Asia along with a variety of larger and smaller items. Lidded bowls like this were used to store many things, especially spices, powders and cosmetics, betel nut chewing materials, and medicine. It has an elegant mangosteen shape, alternating vibrant cream and brown glazes and stylized incised floral and geometric designs. The lid has a curved stem handle and a round raised calyx, a circle of radiating leaf-like projections that represents a mangosteen.
Produced in Thai kilns in the 14th to 15th centuries, Sawankhalok glazed stoneware lidded bowls were distributed through southeast Asia along with a variety of larger and smaller items. Lidded bowls like this were used to store many things, especially spices, powders and cosmetics, betel nut chewing materials, and medicine. This bowl rests on a thick foot, has a lid with a brown lotus bud handle and covered with decorative panels of underglaze brown crosshatch and vegetal scrolls.
This finely carved ancestor wears official’s attire and hat and sits in a horseshoe chair with his feet on a pedestal to emphasize his power and status, although he appears to be a lovwer level civilian official. It is masterfully carved and lacquered and is painted on front and back in red with traces of gilt – all propitious colors of “fu” as a wish for wealth, health, good fortune, long life and long life – that has faded over it years of use into a great patina.
During the Ming and Qing dynasties small images of Taoist officials and priests were often shown holding a cup of the elixir of life to place on home altars along with ancestor figures, house gods and other religious images to bring blessings (fu) to the household. By commissioning figures like this artful carving, families honored their ancestors and met their filial piety duties. Mounted on an acrylic stand.
This very elaborate and exquisite C-shaped Senufo heavy manilla is ornately embellished and divided into sections, each decorated with deeply carved panels and framed with pairs of raised ball-like metal pieces. This remarkable and elegant manilla has a fine patina that shows its age, long use, and wear. It comes with a wood and metal stand.
This antique intricate Senufo copper alloy manilla bracelet is decorated with incised parallel ridges covering its 3-sections which have sets of raised bosses and flattened discs at each end. Very heavy bracelets like this were not worn but were were used to store wealth, make purchases, buy or trade for livestock and goods, or as a bridal dowry or for ceremonial purposes such as weddings and burials. In excellent condition with a fine patina and the usual signs of age and use, it also has a wood and metal stand.
Click here for Blog Manillas: Former African Trade Currency.
This fine and rare kneeling image is Shen Nong one of most revered cultural heroes in Chinese mythology. He is the Founder of Natural Medicine, the Father of Agriculture and an Earth God. He is said to have invented farming implements and introduced planting, cultivation, crop rotation and methods of raising domestic animals and the author of the earliest known Chinese medical classic covering medical physiology, anatomy and acupuncture – the Canon of Internal Medicine. It is a perfectly fitting and unique carving for a professional in the health care, pharmaceutical agricultural professions.
Shiwan stoneware fruit offerings were placed on the altar during the Ming to substitute for or augment fresh offerings. The three peaches and lotuses on a footed bowl are auspicious Chinese symbols associated with springtime, fertility and a long healthy life for many generations.
This delicate Meiji single serving Kyo Ware teapot with a high handle ,like all antique Kyo pieces was hand thrown and hand-painted. This small, striking teapot was fired to create a luminescent beige color with a crackled glaze resulting in a glowing radiance and has the Kiyomizu kiln seal where it was made on the bottom. The chrysanthemum (kiku in Japanese) in a basket in blue and red on the body and lid symbolizes longevity and rejuvenation. . Production of Kyo ware is limited, making it highly collected worldwide.
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