Showing 277–288 of 314 results
This finely cast metalwork brass Shakyamuni Buddha reflects the conservative tradition of Nepalese sculpture which experienced few changes in proportion or decorative details over the past several hundred years. Originating stylistically from Gupta and later Pala Indian art, Nepalese artists created their unique style from the 6th-7th centuries that evolved to a distinctive physiognomy including…
This rare vintage carving was likely made for home shrine or small rice field temple dedicated to Dewi Sri, the Balinese Goddess of Rice. Likely part of a larger decorative scheme, she is presented as a beautiful young woman wearing an elaborate headdress and a rich garment with arm and wristbands and an intricate neck…
This Dalem is a traditional folk-art and ethnic mask (topeng) from Bali made from pulai wood of a Hindu king (Dalem). He stares directly at the viewer while his high cheeks help express his poise and the ability to remain cool in a crisis. This is a fine example of a gifted carver able to…
Deeply carved rows of black hair atop the horse’s head form a carved pattern framed by the upward-pointed ears that emphasize the horse’s alertness. Wonderfully modeled with flowing forms, this carving demonstrates the gifts of Tibetan woodcarvers. One can only imagine how important horses are to Tibetans living on “the roof of the world.” Without…
This beautiful carving is too large to be a traditional dance mask, but is still a wonderful and fine folk art creation by an amazingly talented artisan. When it was collected in the 1970s, it was identified by the Balinese seller as Dayu or Dahyu, a high-caste Brahmana woman from the first Balinese caste. She…
The culture, rituals, tribal and ethnic art of the Dayak (Dyak) of Kalimantan (Borneo), Indonesia is a mix of shamanism, animism and ancestor worship. Dyak festival masks worn on the face or large ones attached to a costume repel malicious spirits from entering communal spaces, insure village safety, protect babies in their carriers and defend…
The Dayak (Dyak) people live on the Island of Kalimantan in the Indonesia part of Borneo and their hudoq masks are offerings to attract gods, ancestors and sacred rice spirits that assure the fertility of rice and protect villages. They are tribal, folk and ethnic objects that may not only worn on the face; they…
The religion of the ethnic Dayak (Dyak) people of Kalimantan (Borneo), Indonesia is a mix of animism, shamanism and ancestor worship. Their word hudoq describes three different things: it describes the pests that can destroy the rice harvest on which their survival depends; the name of the huge yearly Dyak planting celebration and the name…
This doll is a Chinese opera dancer whose costume decorated with 5-petal plum blossom on the sash symbolizing longevity and, with its 5 petals, a wish for the Five Blessings or Happinesses. Her elaborate hair is a focal point along with the flower he holds. In many cultures, dolls were children’s entertainment and didactic tools…
This doll is a Chinese nuo opera dancer whose costume decorated with 5-petal plum blossoms symbolizing longevity and, with its 5 petals, a wish for the Five Blessings or Happinesses. In many cultures, dolls were children’s entertainment and didactic tools to teach beliefs, philosophy, lore, and history specific to each culture. In China dolls were…
This very fine and very beautiful vintage woodcarving of Dewi Sri , Devi Sri or Sridevi in Java, the Balinese Hindu goddess of rice and prosperity, is in excellent condition considering it is a much used vintage piece. Personally collected in Bali in the 1970s, it reflects the offerings made to Dewi Sri placed in the rice fields to protect the rice harvest. She is depicted here as a young, attractive and fertile woman wearing a striking, highly detailed and decorative headdress similar to those worn in Balinese dances leaving her upper forehead bare and framing her oval face with high curved eyebrows, wide-open eyes and beautiful pursed lips. With its flat back it can be mounted on a wall.
Carved Burmese/Myanmar teak heddle pulleys were primarily used in strip-weaving, a process using small handlooms to weave long, narrow strips of cloth sewn together to create larger textiles such as blankets and ritual cloths. They are used in pairs and are tied together by a string that runs through a mechanism at the top of…
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